Cento (poetry)

A cento is a poetical work wholly composed of verses or passages taken from other authors, especially the Roman poet Virgil, disposed in a new form or order.

The Latin term cento derives from Greek κέντρων (gen. κέντρωνος), meaning "'to plant slips' (of trees)". A later word in Greek, κεντρόνη, means "patchwork garment". According to Hugh Gerard Evelyn-White, "A cento is therefore a poem composed of odd fragments".

The cento originated in the 3rd or 4th century C.E. The first known cento is the Medea by Hosidius Geta, composed out of Virgilian lines, according to Tertullian. However, an earlier cento might be present in Irenaeus's late-2nd century work Adversus Haereses. He either cites or composes a cento as a demonstration of how heretical Christians modify canonical Gospels.

Ausonius (310–395) is the only poet from Antiquity to comment on the form and content of the Virgilian cento; his statements are afterward regarded as authoritative. The pieces, he says, may be taken either from the same poet, or from several. The verses may be either taken in their entirety, or divided into two, one half to be connected with another half taken elsewhere. Two verses should never be used running, nor much less than half a verse be taken. In accordance with these rules, he made a cento from Virgil, the Cento Nuptialis.

Faltonia Betitia Proba wrote a Cento vergilianus de laudibus Christi, in which she details the life of Jesus and deeds of the Old and New Testaments; it was written entirely in centos taken from Virgil.

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