Catchiness

Catchiness is how easy it is for one to remember a song, tune or phrase. It is often taken into account when writing songs, catchphrases, advertising slogans, jingles etc. Alternatively, it can be defined as how difficult it is for one to forget it. Songs that embody high levels of remembrance or catchiness are known as "catchy songs" or "earworms". While it is hard to scientifically explain what makes a song catchy, there are many documented techniques that recur throughout catchy music, such as repetition, hooks and alliteration. Selling Sounds: The Commercial Revolution in American Music says that "although there was no definition for what made a song catchy, all the songwriting guides agreed that simplicity and familiarity were vital".

The physical symptoms of listening to a catchy song include "running [it] over in our heads or tapping a foot". According to Todd Tremlin, catchy music "spread[s] because [it] resonates similarly from one mind to the next".

In an article written by psychologist Tom Stafford for BBC, the psychology of "earworms" (catchy songs) is discussed. These songs are referred to as earworms due to their parasitic characteristics; their entrance and exit from our mind cannot be controlled and despite our best efforts they may refuse to leave. In that aspect, catchiness, depending on how digestible the music is to the listener, has a level of annoyance unlike anything else. In this article Stafford reviews the work of neurologist Oliver Sacks and the conclusion by Sacks that this catchiness is due to the inherent repetitiveness of popular music, which can affect our ability to remember a song. It is concluded that since memory is powerfully affected by repetition that this could be a significant contributing factor to catchiness, though certainly not the only aspect. A song's catchiness may also be due to the auditory "slave system" of our inner ear, much like the visual slave system of our "mind's eye."

Often, a song with few qualities can still become immensely popular due to its catchiness. According to T.C.W. Blanning: "I would sacrifice everything – rhyme, reason, sense, and sentiment to catchiness. There is... a very great art in making rubbish acceptable". A Billboard review explains that "any lack of originality (in the album The Remote Part) is more than made up for by the... catchiness of the musical arrangement"

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