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Catchin’ Some Rays: The Music of Ray Charles

Catchin' Some Rays: The Music of Ray Charles
Catchin' Some Rays- The Music of Ray Charles.jpg
Studio album by Roseanna Vitro
Released August 1997
Recorded March 26, 1997 at Sound on Sound, NYC
April 4,1997 at Quad Recording Studios, NYC
Genre Vocal jazz
Length 61:00
Label Telarc Jazz
CD-83419
Producer Paul Wickliffe
Roseanna Vitro chronology
Passion Dance
(1996)Passion Dance1996
Catchin' Some Rays: The Music of Ray Charles
(1997)
The Time of My Life: Roseanna Vitro Sings the Songs of Steve Allen
(1999)The Time of My Life: Roseanna Vitro Sings the Songs of Steve Allen1999
Professional ratings
Review scores
Source Rating
AllMusic 3/5 stars
Washington Post favorable

Catchin' Some Rays: The Music of Ray Charles is the 6th album by jazz singer Roseanna Vitro, released in August 1997 on the Telarc Jazz label.

AllMusic awarded the album 3 stars, with reviewer Scott Yanow citing a "highly enjoyable" and "continually interesting set," itself benefitting from the singer's talent, versatility, and juducious avoidance of Charles' most over-exposed vehicles, as well as from contributions by "pianist Ken Werner (who duets with the singer on a medley of "You Don't Know Me" and "Ruby"), trumpeter Eddie Henderson, and tenorman [and Ray Charles alumnus] David "Fathead" Newman."

A contemporaneous review by Washington Post music critic Geoffrey Himes notes two tactics employed by both Vitro and, before that, Shirley Horn in her own Ray Charles tribute album, Light Out of Darkness: namely, a "more elastic sense of swing" to "replace [Charles'] pounding R&B rhythms," and an emphasis on "the sound of the vocals and the detours they take":

Vitro gives every song either a finger-snapping swing arrangement or a swooning cabaret ballad setting. Over the throbbing pulse established by acoustic bassists Ray Drummond and Ed Howard, Vitro adds her smart, sultry vocals. She sticks close to the original melody on the first verse and chorus, but then starts slipping and sliding out of the original pathway to add her own twists on the tunes. When she shifts into Charles' trademark soulful, bluesy purr, she does it so naturally and convincingly that she sounds right at home with Charles' longtime tenor saxophonist David "Fathead" Newman.


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