Castro clone

Castro clone is LGBT slang for a homosexual man who appeared in dress and style as an idealized working-class man. The term and image grew out of the heavily gay-populated Castro neighborhood in San Francisco during the late 1970s, when the modern LGBT rights movement, sparked by the 1969 Stonewall riots in New York City and the Summer of Love, gave rise to an urban community. The first recorded usage of the term is from Arthur Evans's "Red Queen Broadsides," a series of posters he wheatpasted around the Castro at the time. The look was most common from roughly the mid 1970s to around the mid 1980s. There was also a resurgent in the style starting around the late 2000s particularly among LGBT hipsters.

The Castro-clone appearance typically consisted of masculine attire such as uniforms, leather or Levi jeans, and checked (or plaid) shirts. Typical of the look was a form-fitting T-shirt, shrink-to-fit denim trousers worn snugly (bell bottoms and low-rise jeans in the early 1970s, later more traditionally working-class 501s), sneakers or boots, and often a full moustache and sideburns. Hair styles were relatively short, not a crew cut, but definitely something that would not blow in the wind or require much hair spray to hold it in place. The look was modelled heavily on the greasers of the 1950s and 1960s, which was also an influence on punk, heavy metal and fetish subcultures.

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