Carouselambra
| "Carouselambra" | |
|---|---|
| Song by Led Zeppelin | |
| from the album In Through the Out Door | |
| Released | 15 August 1979 |
| Recorded | November–December 1978 |
| Studio | Polar Studios, Stockholm, Sweden |
| Genre | Hard rock |
| Length | 10:28 |
| Label | Swan Song |
| Songwriter(s) | |
| Producer(s) | Jimmy Page |
| Audio sample | |
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"Carouselambra" is the fifth track on Led Zeppelin's 1979 album In Through the Out Door. The name Carouselambra is a reference to the first section of the song sounding similar to carousel music. It is the second-longest song the band recorded in the studio (after "In My Time of Dying"), at more than 10 minutes in length. John Paul Jones' synthesizers dominate the song, with Jimmy Page's guitar playing a supporting role.
With its early working title of "The Epic", what would eventually be called "Carouselambra" was conceived during the band's rehearsals at Clearwell Castle in May 1978. The song itself is split in three sections. The first section is a fast-paced showcase of Jones on synthesizer (he overdubbed bass guitar or already recorded it as part of the backing track), with Robert Plant's vocals mixed down slightly underneath Jones, the drums of John Bonham and Page's guitar chord progression. The second section is much slower in pace, highlighting Page's use of the Gibson EDS-1275 double-necked guitar, the only time he used that instrument on a Led Zeppelin studio song, while Plant sings some reflective lyrics. The final section returns to an up-tempo beat, with all four band members performing in unison. Page's deep, droning guitar sound was produced with a Gizmotron, a device that creates infinite sustain, unusual harmonics, and allows the guitar to sound like a string section.
Jones, in an interview, stated he had obtained the Yamaha GX-1 synthesizer from Keith Emerson. He later sold this GX-1 back to Emerson after Led Zeppelin's last tour in 1980.
Plant's vocals, particularly in the first section of the song, are somewhat buried in the mix and the words are difficult to discern. According to an interview Plant gave in 1979, the song was about someone who, when one day realising the song was written about them, would say, "My God! Was it really like that?" Later comments suggest that the singer meant his bandmates; the lyrics allegedly were a veiled description of their troubled creative chemistry.
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