Carlo McCormick is an American culture critic and curator living in New York City. He is the author of numerous books, monographs and catalogues on contemporary art and artists.
McCormick lectures and teaches extensively at universities and colleges around the United States on popular culture and art. His writing has appeared in Effects : Magazine for New Art Theory, Aperture, Art in America, Art News, Artforum,Camera Austria, High Times, Spin, Tokion, Vice and other magazines. McCormick is Senior Editor of Paper.
McCormick was guest curator of the exhibition The Downtown Show: the New York Art Scene from 1974 to 1984 (in consultation with Lynn Gumpert, and Marvin J. Taylor) that was held at New York University’s Grey Art Gallery and Fales Library.
The exhibition examined the rich cross-section of artists and activities that coexisted and often overlapped in Lower Manhattan between 1974 and 1984. Emerging out of the deflated optimism of the Summer of Love (and energized by the enactment of the loft laws that made it legal for artists to live in downtown New York's industrial spaces) the Downtown no wave scene attracted painters, sculptors, photographers, musicians, performance art, filmmakers, and writers who could afford the then-low rent lofts and Lower East Side tenement apartments.