Carlo Gébler

Carlo Gébler (born 21 August 1954) is an Irish writer, television director, and teacher. His publications include novels, short stories, plays, historical works and memoirs. He is a member of Aosdána.

Gébler was born in Dublin, the elder son of the Irish writers Ernest Gébler and Edna O'Brien. Carlo was originally named Karl after Karl Marx. He moved with his parents to London in 1958. His parents separated in 1962. After the separation Carlo and his younger brother at first stayed with their father but later went to live with their mother. Carlo had a difficult relationship with his father, from whom he was later estranged for many years.

Gébler attended Bedales School. He is a graduate of the University of York, where he studied English. He later graduated from the National Film and Television School. In 2009 he was awarded a PhD by Queen's University Belfast.

Gébler directed his first film for television in 1979 and has continued to work frequently in that medium. He won the Best Regional Documentary RTS Award for his 1998 production Put to the Test.

Gébler's first novel, The Eleventh Summer, was published in 1985 and was soon succeeded by August in July in 1986 and Work and Play in 1987. In 1988 his first non-fiction book, Driving through Cuba: An East-West Journey was published, followed by novels in 1990 and 1991. Gébler's many subsequent works include plays and screenplays, libretti, children's books, short stories, novels and several memoirs.

Several of Gébler's novels are based on historical murder cases. Reviewing the 2011 novel, The Dead Eight, based on events that took place in rural Tipperary in 1940, Julian Evans described Gébler as an "overlooked novelist" with a "Swiftian understanding of the world’s secret machinations".

In 2000 he published Father and I, a memoir of his relationship with his emotionally abusive father, from whom he was estranged for much of his life. His 2014 biography of his father, The Projectionist: The Story of Ernest Gébler is based on Ernest's diaries and notes for an unwritten autobiography, which Carlo had inherited on his father's death in 1998. The TLS review of The Projectionist noted the author's "emotional empathy" and remarked that "this loving care gives the subject importance beyond the surface facts". Gébler's relationship with his father also figures largely in his 2015 memoir Confessions of a Catastrophist.

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