Canterbury sound
| Canterbury scene | |
|---|---|
| Stylistic origins | |
| Cultural origins | Late 1960s, Canterbury, United Kingdom |
The Canterbury scene (or Canterbury Sound) is a subgenre of, or sibling to, progressive rock. The term describes a loosely defined style of music created by a number of improvisational musicians, some of whom were based in the city of Canterbury, Kent, England during the late 1960s and early 1970s.
These musicians played together in numerous bands, with ever-changing and overlapping personnel, creating some similarities in their musical output. Many prominent British avant-garde or fusion musicians began their career in Canterbury bands, including Hugh Hopper, Steve Hillage, Dave Stewart (the keyboardist), Robert Wyatt, Kevin Ayers, Daevid Allen, and Mike Ratledge. Over the years, with outside musicians joining Canterbury bands, and new bands all over the world adopting a 'Canterbury sound', the term has come to describe the musical style rather than a regional group of musicians.
The Canterbury scene is largely defined by a set of musicians and bands with intertwined members. These are not tied by very strong musical similarities, but a certain whimsicality, touches of psychedelia, rather abstruse lyrics, and a use of improvisation derived from jazz are common elements in their work. “The real essence of 'Canterbury Sound' is the tension between complicated harmonies, extended improvisations, and the sincere desire to write catchy pop songs.” “In the very best Canterbury music...the musically silly and the musically serious are juxtaposed in an amusing and endearing way.”
There is variation within the scene, for example from pop/rock like early Soft Machine and much Caravan to avant-garde composed pieces as with early National Health to improvised jazz as with later Soft Machine or In Cahoots. Didier Malherbe (of Gong) has defined the scene as having "certain chord changes, in particular the use of minor second chords, certain harmonic combinations, and a great clarity in the aesthetics, and a way of improvising that is very different from what is done in jazz."
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