The Canon T90, introduced in 1986, was the top of the line in Canon's T series of 35 mm Single-lens reflex (SLR) cameras. It is the last professional-level manual-focus camera from Canon, and the last professional camera to use the Canon FD lens mount. Although it was overtaken by the autofocus revolution and Canon's new, incompatible EOS (Electro-Optical System) after only a year in production, the T90 pioneered many concepts seen in high-end Canon cameras up to the present day, particularly the user interface, industrial design, and the high level of automation.
Due to its ruggedness, the T90 was nicknamed "the tank" by Japanese photojournalists. Many have still rated it highly even 20+ years after its introduction.
Previous Canon cameras had been wholly in-house design projects. For the T90, Canon brought in German industrial designer Luigi Colani in a collaboration with Canon's own designers. The final design was composed of Colani's ideas by Kunihisa Ito of ODS Co. Ltd., incorporating Colani's distinctive "bio-form" curvaceous shapes. Canon considered Colani's contribution important enough to present him with the first production T90 body, engraved with his name. Computer-aided design techniques were introduced to Canon for the T90, as well as the use of computer controlled (CNC) milling machines to make the molding dies for the shell.
Much work went into human factors engineering to create an ergonomic user interface for the camera. The form of previous cameras was largely dictated by the required locations of mechanical controls on the body, such as the film advance lever, rewind crank, shutter speed dial, shutter release, etc. On the T90, the film transport control is no longer required, while the others are no longer mechanically linked. This gave the designers more freedom to shape the camera to make it easier to control and hold, and to place controls in a way that suited the user rather than a mechanical design.