Candi bentar, or split gateway, is a classical Javanese and Balinese gateway entrance commonly found at the entrance of religious compounds, kraton palaces, or cemeteries. It is basically a candi-like structure split perfectly in two to create a passage in the center for people to walk through. The passage is usually elevated with a flight of stairs to reach it. A candi bentar is commonly found in Java, Bali, and Lombok.
Candi bentar has a candi-like form but split perfectly in two to create a symmetrical image. Candi bentar characteristically has a stepped profile, which can be heavily decorated in the case of Balinese candi bentar. The two inner surfaces are always left sheer and unornamented, as if the structure has been split in two.
There are several different styles of candi bentar, from plain red bricks structure of Majapahit-style with its derivations of Cirebon, Demak, Kudus and early Mataram Sultanate style, the stucco-coated split gates of Kaibon Palace in Banten also in city of Surakarta and Yogyakarta, to the richly adorned split gates of Balinese temples and palaces compound.
Other than narrowing the passage, candi bentar do not serve a real defensive purpose, since this type of split gates are originally designed not to have doors. Additional iron fences are seldom to never installed in the passage, if so they usually added later and not part of the original design. The symbolism of a candi bentar is unclear. Candi bentar probably only serve for aesthetic purpose, to create a sense of grandeur before entering a compound.
Candi bentar and paduraksa (another gateway structure) are integral features of a Balinese temple architecture, and possibly the classical Javanese Hindu temple. Both gateways mark the threshold between different level of sanctity within a temple compound. Candi bentar marks the boundary between the outer world with the outer realm of the Hindu temple, the nista mandala ("outer sanctum"). The paduraksa marks the boundary between the madya mandala ("middle sanctum") with the innermost and the most sacred utama mandala ("main sanctum").
The compound within Balinese temples and palaces are usually used for rituals. The candi bentar usually used as a background of dance performances, as the performers appears from behind the split gates. Sometimes the dance performance took place in inner compound with roofed paduraksa gate as a background.