Candi Surawana

Surawana (Indonesian: Candi Surawana, sometimes called Candi Surowono) is a Hindu temple, of the Majapahit Kingdom, located in the Canggu village of the Kediri near Pare district in East Java, Indonesia. It was believed to have been built in 1390 AD as a memorial to Wijayarajasa, the Prince of Wengker. As of today the temple is not fully intact. Only the base of the temple has been restored to its original form and many more bricks are waiting around the structure to be reassembled.

Surawana temple was built in 1390 AD but was not "officially" completed until its inception in 1400. It was built as a memorial for Wijayarajasa, the Prince of Wengker. He was Rajasanagara’s uncle as a result of marriage and he was a great influence of power. Some believe that this did not start out as a monument to the prince, but just a structure that he commissioned. That is why the dates differ when it comes to when it was completed. The sraddha ceremony, which is a ritual funeral ceremony, was held in 1400 which is why some speculate to actual completion date. Not much is known about the history after that or how it came to become dismantled, but today it stands in the small village of Canggu, in the Kediri district right out of Pare. As of right now specialists are trying to reconstruct the base to its original state

Surawana temple is a moderately sized temple with a base that is 7.8 square meters and is 4.6 meters high. The foot is the only existing piece or art still remaining on the structure itself. On the base there is a graduated projection that holds the stairs to the cella (3), which is an inner chamber of the temple. The structure is made to face west just like most East Javanese temples.

Surawana is adorned with many different reliefs, and many of them extend around the whole building. The stories depicted on the walls are made in a way that reflects the direction in which they are facing. For example, The Arjunawiwaha story starts on the East facing wall, then stops and restarts on the Northeast facing wall. Then it continues along the North wall and skips the East and heads down to the South and continues, in the opposite direction, to the West. Everything depicted in the reliefs have to do with the direction. Carvings facing the East, which is the direction of the rising sun and a sacred mountain (3), are the parts of the stories with more religious scenes. The carvings facing the West are more to do with demons, monsters, battles and death. The Arjunawiwaha is a continuous narrative with many different frames, but at some points it is interrupted by the Sri Tanjung and Bubuksha stories which appear on the corners on vertical panels. The panels were considered part of the original story until identified in 1939 (3).

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Wikipedia