Can-Can

The can-can (or cancan as in the original French; French pronunciation: ​[kɑ̃kɑ̃]) is a high-energy, physically demanding dance which became a popular music hall dance in the 1840s, continuing in popularity in French cabaret to this day. Originally danced by both sexes, it is now traditionally associated with a chorus line of female dancers. The main features of the dance are the high kicks, splits and cartwheels. The Infernal Galop from Jacques Offenbach's Orpheus in the Underworld is the tune most associated with the can-can.

The name can-can may be derived from the French for tittle-tattle or scandal. However, the dance was also referred to as the coin-coin and this may have become corrupted into can-can. In its early days, the dance was also called the chahut (French for noise or uproar).

The cancan is believed to have evolved from the final figure in the quadrille, which is a social dance by four couples. The exact origin of the dance is unknown but the steps may have been inspired by a popular entertainer of the 1820s, Charles Mazurier, well known for his acrobatics, including the grand écart or jump splits — both popular features of the cancan.

The dance was considered scandalous, and for a while, there were attempts to repress it. This may have been partly because in the 19th century, women wore pantalettes, which had an open crotch, meaning that a high kick could be unintentionally revealing. There is no evidence that cancan dancers wore special closed underwear, although it has been claimed that the Moulin Rouge management did not permit dancers to perform in "revealing undergarments". Occasionally, people dancing the cancan were arrested, but there is no record of it being banned, as some accounts claim.

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