Cameron Carpenter
| Cameron Carpenter | |
|---|---|
Cameron Carpenter in Hong Kong in 2011
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| Background information | |
| Birth name | Taylor Cameron Carpenter |
| Born | April 18, 1981 (age 36) |
| Occupation(s) | Musician |
| Instruments | Organ |
| Labels | Sony Classical, Telarc, SeeMusicDVD |
| Website | cameroncarpenter |
Taylor Cameron Carpenter (born April 18, 1981) is an American organist.
Carpenter has bachelor's and master's degrees from the Juilliard School in New York, having studied with Gerre Hancock, John Weaver, and Paul Jacobs. Though he is not religious, Carpenter was from 2008 to 2009 the artist-in-residence at Middle Collegiate Church in New York's East Village, where he played a four-manual electronic organ that he designed for the broad-ranging music of that church. Carpenter ended his residency in July 2009.
Early in 2008, Telarc signed Carpenter to an exclusive five-album recording contract. His Telarc debut album, Revolutionary, was recorded as a CD and DVD at Trinity Church Wall Street in New York City and released September 23, 2008. The title comes from Carpenter's transcription of Chopin's "Revolutionary Etude". The album made Carpenter the first organist ever to receive a Grammy nomination in the category 'Best Solo Instrumental Performance' (without orchestra) for a solo album. His first commercial album was a 2006 CD/DVD, Pictures at an Exhibition, on SeeMusicDVD. It includes his arrangement of the programmatic piano work by Modest Mussorgsky, and his own improvisatory "New York City Sessions". Visuals for the Mussorgsky were created by Marshall Yaeger and his Kaleidoplex. The recording was made at Trinity Church, New York.
An "early" recording, made in 2005 and financed by the Allen Organ Company, was titled notes from the underground. This recording was a highly unusual project for Allen, as Carpenter was given near-complete artistic control of the album, selection of the program, and even oversight of graphic design (featuring location shots of Carpenter at famous New York City graffiti sites). This album was not reissued by Allen and is now a rarity.
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