Camera shake

Image stabilization (IS) is a family of techniques used to reduce blurring associated with the motion of a camera or other imaging device during exposure. Generally, it compensates for pan and tilt (angular movement, equivalent to yaw and pitch) of the imaging device, although electronic image stabilization can also be used to compensate for rotation. It is used in image-stabilized binoculars, still and video cameras, astronomical telescopes, and also smartphones, mainly the high-end. With still cameras, camera shake is particularly problematic at slow shutter speeds or with long focal length (telephoto or zoom) lenses. With video cameras, camera shake causes visible frame-to-frame jitter in the recorded video. In astronomy, the problem of lens-shake is added to by variations in the atmosphere over time, which will cause the apparent positions of objects to change.

In photography, image stabilization can often permit the use of shutter speeds 2–4.5 stops slower (exposures 4–22.5 times longer), although even slower effective speeds have been reported.

The rule of thumb to determine the slowest shutter speed possible for hand-holding without noticeable blur due to camera shake is to take the reciprocal of the 35 mm equivalent focal length of the lens, also known as the "1/mm rule". For example, at a focal length of 125 mm on a 35 mm camera, vibration or camera shake could affect sharpness if the shutter speed was slower than 1/125 second. As a result of the 2–4.5 stops slower shutter speeds allowed by IS, an image taken at 1/125 second speed with an ordinary lens could be taken at 1/15 or 1/8 second with an IS-equipped lens and produce almost the same quality. The sharpness obtainable at a given speed can increase dramatically. When calculating the effective focal length, it is important to take into account the image format a camera uses. For example, many digital SLR cameras use an image sensor that is 2/3, 5/8, or 1/2 the size of a 35 mm film frame. This means that the 35 mm frame is 1.5, 1.6, or 2 times the size of the digital sensor. The latter values are referred to as the crop factor, field-of-view crop factor, focal-length multiplier, or format factor. On a 2x crop factor camera, for instance, a 50 mm lens produces the same field of view as a 100 mm lens used on a 35 mm film camera, and can typically be handheld at 1/100 of a second.

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