California Society of Printmakers
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| Formation | 1912 (as "California Society of Etchers") |
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| Founders | Robert B. Harshe, Pedro J. [de] Lemos, Ralph Stackpole, Gottardo Piazzoni |
| Type | Non-profit |
| Legal status | Active |
| Purpose | Supporting printmaking artists, Educating the public about printmaking |
| Headquarters | San Francisco |
| Location |
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| Products | Printmaking |
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Membership
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270 artist members, plus honorary, friend, business, and institutional members |
| caprintmakers.org/about-csp/board-members | |
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Staff
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None |
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Volunteers
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Board of Directors |
| Website | caprintmakers.org |
The California Society of Printmakers (CSP) is the oldest continuously operating association of printmakers and friends of printmakers in the United States. CSP is a non-profit arts organization with an international membership of print artists and supporters of the art of fine printmaking. CSP promotes professional development and opportunity for printmakers, and educates artists and the public about printmaking. New members are admitted by portfolio review. Friends and supporters of printmaking are admitted by fee. They are based in San Francisco, California.
American print clubs or printmaking societies were prolific in the 19th century. Their impetus was primarily exhibition, technical exchange, shared equipment, and the promotion of printmaking as a fine art, as opposed to a method of reproducing images. The invention of photography meant that reproduction of art works could be achieved photographically instead of through the graphic arts of etching, engraving, and lithography. Thus, these methods of printmaking were freed from their reproducing role to develop as pure fine arts. In addition to the rise of printmaking societies/clubs, individual printmaking artists also sought to distinguish their work as a fine art, as opposed to a craft. Generally these artists from the 19th century were referred to as painter-etchers. Nineteenth century printmaking societies in the United States were the New York Etchers Club (1877), Boston Etchers Club (1880?), Philadelphia Society of Etchers (1880), Brooklyn Etchers Club (1881), Brooklyn Scratchers Club (1882), Society of American Etchers (1888), Cincinnati Etchers Club (circa 1890).
Early 20th century printmaking societies were the very influential Chicago Society of Etchers (1910), begun and promoted by Bertha Jaques. After the Chicago Society, a flurry of other printmakers' societies followed. Next was the California Society of Etchers (1912), the Los Angeles group called the Printmakers of California (1914), and the Brooklyn Society of Etchers (1915).
The California Society of Etchers (CSE) merged with Bay Printmakers Society in 1968 when the current name, California Society of Printmakers (CSP), was adopted. Throughout the 1950s and well into the 1980s short histories of the society penned by various elected officers always referred to CSE/CSP as " the second oldest" continuous operating club in the United States. However, these historians failed to mention what the oldest society was. A little research revealed that the oldest American society of printmakers was the Chicago Society of Etchers. The California Society of Etchers was very aware of its Chicago predecessor, as the Chicago founder Bertha Jaques encouraged printmakers to establish their own local societies. Jaques also joined the California Society of Etchers in 1913, when non-resident members were first admitted. The Chicago Society of Etchers ceased operations in 1956, leaving California Society of Printmakers as the longest lived printmakers' society in the U.S.
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Wikipedia