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Calder Willingham

Calder Willingham
Born Calder Baynard Willingham, Jr.
(1922-12-23)December 23, 1922
Atlanta, Georgia, United States
Died February 19, 1995(1995-02-19) (aged 72)
Laconia, New Hampshire, United States
Occupation Writer, novelist, screenwriter
Language English
Genre Fiction, screenwriting, short story
Notable works Eternal Fire
The Graduate (screenplay)
Rambling Rose

Calder Baynard Willingham, Jr. (December 23, 1922 – February 19, 1995) was an American novelist and screenwriter.

Before the age of thirty, after just three novels and a collection of short stories, The New Yorker was already describing Willingham as having “fathered modern black comedy,” his signature a dry, straight-faced humor, made funnier by its concealed comic intent. His work matured over six more novels, including Eternal Fire (1963), which Newsweek said “deserves a place among the dozen or so novels that must be mentioned if one is to speak of greatness in American fiction.” He had a significant career in cinema, too, with screenplay credits that include Paths of Glory (1957), The Graduate (1967) and Little Big Man (1970).

Willingham was born in Atlanta, Georgia, the son of Eleanor Churchill (Willcox) and Calder Baynard Willingham, a hotel manager. After dropping out of the Citadel, then working for the Office of War Information in Washington, Willingham moved to New York City where he wrote for ten years, setting three novels there. During the late ‘40s and early ‘50s, Willingham was considered at the forefront of the gritty, realistic new breed of postwar novelists: Norman Mailer, James Jones, Truman Capote, Gore Vidal, and others, many of whom also made up the Greenwich Village literary scene at the time.

Willingham’s career began in controversy with End as a Man (1947), a withering indictment of the macho culture of military academies, introducing his first iconic character, sadistic Jocko de Paris. The story included graphic hazing, sex, and suggested homosexuality, which in a period celebrating military victory, led the New York Society for the Suppression of Vice to file obscenity charges against its publisher, Vanguard Press. The charges were ultimately dropped, but not before a trial which made the book a cause célèbre, famous writers rallying to its defense. Reviews singled out its savage humor and realistic dialogue.


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