CCMC (band)

CCMC
CCMC at The Music Gallery, Toronto, Ontario. 2015.
Background information
Origin	Toronto, Canada
Genres	free improvisation, avant-garde, avant-garde jazz, electroacoustic music
Years active	1974–
Labels	Music Gallery Editions, Track & Light, Les Disques Victo, Art Metropole, Free Market
Associated acts	Artists' Jazz Band, The Four Horsemen
Members	Paul Dutton, John Kamevaar, John Oswald, Michael Snow
Past members	Graham Coughtry Nobuo Kubota Greg Gallagher Bill Smith Peter Anson Casey Sokol Al Mattes Larry Dubin Jack Vorvis

CCMC is a Canadian free improvisation group founded in 1974.

The CCMC was founded by Peter Anson, Graham Coughtry, Larry Dubin, Greg Gallagher, Nobuo Kubota, Allan Mattes, Casey Sokol, Bill Smith and Michael Snow. Three of the founding members (Graham Coughtry, Nobuo Kubota, and Michael Snow) were members of Artists' Jazz Band, a seminal Toronto free-jazz ensemble. In 1976, the group founded The Music Gallery as an artist-run centre where they performed twice-weekly. The group was formally associated with The Music Gallery until 2000. Members of the group were also founders of the Music Gallery Editions record label, which issued CCMC's first six albums.

The group remains active to the present day, though through its various incarnations Michael Snow has been the group's only constant member. The group currently performs as a quartet of Snow (piano/Octave Cat synthesizer), John Oswald (alto sax), Paul Dutton (soundsinging, mouth harp) and John Kamevaar (electronic percussion/electroacoustic sounds).

CCMC's music is based on "improvisation-as-composition" (p. 40) inspired by free jazz.

We came to it because... we wanted to create not only a new work or a new instrument, but a new composer, a six-brained, twelve-handed individual, to see what it would come up with.

With no pre-existing compositions, live performance is central to the band's identity, and their early recordings were all recorded live in concert. ("Interviewer: Since the very beginning CCMC has recorded every concert, is that true? Michael Snow: Yes, that's, whatever it is, thirteen years of at least twice a week, plus all the tours. A lot of tape, yes."

From 1974 until the early 1980’s CCMC played at least two concerts a week, most of which took place in their own venue, The Music Gallery, in Toronto. The band was and continues to be a ‘free music orchestra’ devoted to spontaneous composition. One look at the cover of the Vol 1 LP and it’s apparent that CCMC are not your typical hippy free-rock group, slick-suited jazz cats, nor tweed academic weekend composers. In fact, CCMC never really look like typical musicians at all, but rather like visual artists, family men, scholars, Canucks, ecologists, sculptors and radical adults they are. Similarly, their sound can never really be pinned down in the way that other devotees of ‘free’ music usually are; never as dogmatic as AMM, as angry as American free jazz, as bleak as Japanese free jazz or as humorless as European free improv. CCMC are as comfortable playing toys and melodies as they were noise electronics and torrential freak-outs. In the truest sense CCMC were sonic explorers devoted to spontaneous free music, uninhibited by any restriction, be it melody, silence, genre, volume or instrumentation.