CBGB | |
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Promotional poster with tagline "50,000 Bands and One Disgusting Bathroom"
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Directed by | Randall Miller |
Produced by |
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Screenplay by |
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Starring | |
Cinematography | Mike Ozier |
Edited by | Dan O'Brien |
Production
company |
Unclaimed Freight Productions
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Distributed by | XLrator Media |
Release date
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Running time
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101 minutes |
Country | United States Japan |
Language | English |
Box office | $40,400 + $486,114 (Home Market Performance) $526,514 (total) |
CBGB: Original Motion Picture Soundtrack | |
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Soundtrack album by Various artists | |
Released | October 8, 2013 |
Length | 1:03:59 |
Label | Omnivore Recordings, Universal |
Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
Rolling Stone |
CBGB is a 2013 American historical film about the former New York music venue CBGB. It follows the story of Hilly Kristal's New York club from its concept as a venue for Country, Bluegrass and Blues (CBGB) to what it ultimately became: the birthplace of underground rock'n'roll and punk. The film uses devices such as a comic-book styled panels as well as on-screen text to identify important figures in the punk movement.
In 1970's New York City, Hilly Kristal is divorced and has filed bankruptcy for the second time. Despite setbacks, he is determined to own and manage a bar. With his business partner Merv Ferguson, Kristal convinces his mother to loan them the money needed to establish the dive bar CBGB, which Kristal intends to make into a country music venue.
The business gets off to a rocky start as there are few customers and Kristal has difficulty finding country acts. However, a rock band called Television arrives at the bar and auditions. Seeing potential, Kristal books them. CBGB soon becomes a rock venue that caters to the burgeoning punk movement. New acts such as Blondie, Patti Smith, Talking Heads and The Ramones begin to get noticed by playing at the club. The fledging fanzine Punk also gets its start by reporting on the bands and debating the movement's ideology (or lack thereof).
Despite CBGB's newfound success, Kristal poorly manages the club's funds (he keeps the money in his apartment freezer) and fails to regularly pay bills or rent. Kristal's daughter, Lisa, attempts to take over the chaotic finances in an attempt to save the business.
After The Ramones are signed to Sire Records, Kristal decides to manage CBGB regulars The Dead Boys. Lisa warns Kristal that he can't financially afford to take on a band. Kristal ignores her, as well as others who caution him about The Dead Boys' destructive and anti-social behavior. While on tour, the band crashes and totals their truck and equipment, leaving Kristal and CBGB broke. This leads to Ferguson threatening to leave the business for good, which Kristal doesn't believe. Soon afterwards, The Dead Boys gets into a fight with a group of thugs and their drummer, Johnny Blitz, is stabbed seventeen times and barely survives.