C.M.S. McLellan
| C. M. S. McLellan | |
|---|---|
The Sketch; December 11, 1901
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| Born |
Charles Morton Stewart McLellan September 4, 1865 Bath, Maine, USA |
| Died | September 16, 1916 (aged 51) Esher, Surrey, England, UK |
| Other names | Charles M. S. McLellan Hugh Morton |
| Occupation | Playwright |
| Spouse(s) | Marie Adelaide |
C. M. S. McLellan (1865–1916) was a London-based American playwright and composer who often wrote under the pseudonym Hugh Morton. McLellan is probably best remembered for the musical The Belle of New York and drama Leah Kleschna.
Charles Morton Stewart McLellan was born on September 4, 1865, in Bath, Maine to William H. and Florida (née McLanathan) McLellan. His father was a successful wholesaler who later formed the shipbuilding firm, E and S. Company. Florida McLellan, the daughter of a ship's captain, was described in her 1898 obituary as having "unusual business talent ant tact." At an early age, McLellan's family moved to Boston, where he attended Hopkinson School (founded by the father of artist Charles Hopkinson) and Chauncy Hall Preparatory School.
McLellan began as a journalist, eventually rising to become editor of the publication Town Topics. After finding success in the late 1890s, he left journalism to write full-time for the stage. Over the remainder of his life, McLellan produced a steady stream of mostly light and often popular musical comedies, frequently in collaboration with the composer Gustave Kerker and later Ivan Caryll.
McLellan’s first major success,The Belle of New York, opened at the Casino Theatre on September 28, 1897, to mixed reviews and closed after a two-month run. The following year the show was brought to London, where it opened at the Shaftesbury Theatre on April 12, 1898, and went on to have an extremely successful run of 697 consecutive performances, closing on December 30, 1899. The Belle of New York later proved successful on tours of Australia, New Zealand and the British provinces and returned to Broadway for revival engagements in 1900 and 1921. The musical was made into two Hollywood films, the first in 1919 with Marion Davies, Etienne Girardot and L. Rogers Lytton, and the second in 1952 with Fred Astaire, Vera-Ellen, Marjorie Main and Keenan Wynn.
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