Busy Bodies
| Busy Bodies | |
|---|---|
 |
|
| Directed by | Lloyd French |
| Produced by | Hal Roach |
| Starring |
Stan Laurel Oliver Hardy Charlie Hall Tiny Sandford |
| Distributed by | Metro-Goldwyn-Mayer |
|
Release date
|
October 7, 1933 |
|
Running time
|
19' 22" |
| Country | United States |
| Language | English |
Busy Bodies is a 1933 short comedy film starring Laurel and Hardy.
Stan and Ollie are in high spirits as they drive in an old Model T to their new jobs at the sawmill. Laurel turns on the car radio (at the time a luxury item in newer cars, not expected in an old jalopy); the "radio" is revealed to be a wind-up phonograph stashed under the car hood. Arriving at the sawmill, a slapstick sequence has them repeatedly walking into planks of wood. Starting work, Stan soon traps Ollie's hands in a window frame. After freeing him they trick a shop worker (Charlie Hall) into smoking despite a "No Smoking" sign. Stan then tears a strip off Ollie's pants with a plane and in the resulting 'tit for tat' dips a paintbrush in glue and sticks it onto Ollie's chin. Finding it is not possible to pull it off he prepares like a barber and shaves it with a plane. Ollie then gets propelled through a ventilator duct and out of an attic vent port.
Stan climbs a ladder to help him out, but the ladder topples over with them both on it. Down below, two men see the ladder falling towards them. One falls into some whitewash while the other hides in a shed, which proves to be a bad idea when the duo crash onto the shed, demolishing it. As Laurel helps Hardy out of the wreckage, there is a knocking from beneath the door. The man they help out proves to be their foreman, who was the one who sought cover in the shed. They beat a hasty retreat. The foreman would have run after them, but he was crowned by a small barrel that got kicked down the ventilator shaft and out the vent port. Attempting to flee, their car gets sawed in two lengthwise by a large band saw whilst they remain seated in it. The two fall out of the collapsing wreckage. Laurel finds the phonograph still intact and plays a record. Hardy is singularly unimpressed by music now, and chases Laurel.
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