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Burial (Burial album)

Burial
Burial Hyperdub.jpg
Studio album by Burial
Released 15 May 2006
Recorded 2001-2006
Genre Dubstep, UK garage, 2-step, ambient
Length 51:24
Label Hyperdub
Producer Burial
Burial chronology
South London Boroughs (2005) Burial
(2006)
Untrue
(2007)
Professional ratings
Review scores
Source Rating
AllMusic 4/5 stars
Christgau's Consumer Guide (1-star Honorable Mention)
The Guardian 5/5 stars
The Observer 4/5 stars
Pitchfork 8.0/10
Resident Advisor 4.5/5
Sputnikmusic 4/5
Stylus Magazine B+
Tiny Mix Tapes 5/5

Burial is the debut studio album of dubstep producer Burial. It was released in 2006 on Kode9's Hyperdub records. The album's sound draws on various forms of UK rave music, including 2-step, jungle, and UK garage. It received critical acclaim, with The Wire magazine naming it their album of the year, and its being ranked fifth in the Mixmag 2006 Album of the Year list and eighteenth in the best of the year list of The Observer Music Monthly supplement. As of October 2013, it is number 391 on NME's "500 Greatest Albums of All Time".

William Bevan was very much into drum and bass and jungle, and listened to these types of music on his way to school. When he listened to the song "Special Mission" by producer Digital from the first Metalheadz box set released in 1997, that's when he realized that, while he wasn't really a "musician", and even as of 2006 he didn't consider himself a musician, he could make tracks like these without having to be one.

Burial was produced from 2001 to 2006 using the program Soundforge. As Burial describes the process in an interview, "Once I change something, I can never un-change it. I can only see the waves. So I know when I’m happy with my drums because they look like a nice fishbone. When they look just skeletal as fuck in front of me, and so I know they’ll sound good." He also said that he didn't use a sequencer, because if his drums were timed too perfectly, they would "lose something" and "sound rubbish". The drums were a major focus of his while making the record, saying that, "I don’t find melodies catchy, I find drums catchy. When you have a bassline in your head for a day, you’re fucked. You can’t think." He also recorded himself drumming in case he forgot a beat he thought of, as he would often get kicked out of class for drumming on tables.


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