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Bulgarian dances


Bulgarian folk dances are intimately related to the music of Bulgaria. This distinctive feature of Balkan folk music is the asymmetrical meter, built up around various combinations of 'quick' and 'slow' beats. The music, in Western musical notation, is often described using compound meter notation, where the notational meter accents, i.e., the heard beats, can be of different lengths, usually 1, 2, 3, or 4. Many Bulgarian dances are line dances, in which the dancers dance in a straight or curved line, holding hands.

Many Bulgarian dances are line dances, with the dancers holding hands in a straight or curved line, facing in toward the center of the dance space. Originally men and women danced in separate lines, or in a gender-segregated line in which the last woman and first man held opposite ends of a handkerchief, to avoid gender contact, but today men and women often dance in mixed lines. Several different handholds are used in the different dances:

Bulgarian dances are distinctive for their subtle rhythms and intricate footwork. In some dances the dancers repeat the same pattern of steps throughout the dance, while others are "called" dances with several different steps in which the leader calls out changes in the steps at his discretion. Still others have a basic step which individual dancers may embellish at specific points with variations like stamps and foot slaps. In dances in which the line moves to the right or left, the dancer at the head of the line is the "leader". It is his responsibility to lead the line so it doesn't collide with other lines, and in "called" dances to call the variations. New dancers joining a dancing line join at the end; it is bad manners to join at the head of the line, in front of the leader.

Bulgaria is divided into five ethnographic regions: Mizia (Severnyashka), Dobrudzha, Trakia (Thrace), Shopluk (Shop), Pirin (Bulgarian Macedonia). Each region has its own distinctive style of dance, to the extent that a knowledgeable observer can often tell which region a group of Bulgarians comes from by how they perform a popular dance like the pravo. In addition, due to the intricate ethnic mix in the Balkans, each locality and even each village may have its own variation of a dance, different enough that it amounts to a distinct dance. In Bulgarian folkdance literature, local variations are often differentiated by adding the geographical origin to the dance name: for example pravo plovdivsko horo means "the pravo dance from the town of Plovdiv".


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