Bruce Lee: The Man, The Myth
| Bruce Lee: The Man, The Myth | |
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| Directed by | Ng See-yuen |
| Produced by | Pau Ming |
| Written by | Ng See-yuen |
| Starring |
Ho Chung-tao Unicorn Chan Chiu Chi-ling Lee Hoi-san Fung Hak-on Fung Ging-man |
| Music by | Chow Fook-leung |
| Cinematography | Wing Chen |
| Edited by | Mike Harris Hung-yao Pan Ming Sung |
| Distributed by | Eternal Film Company |
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Release date
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Running time
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98 minutes |
| Country | Hong Kong |
| Language | Mandarin |
Bruce Lee: The Man, The Myth (Chinese: 李小龍傳奇, also known as Bruce Lee: The True Story) is a 1976 Hong Kong semi biographical martial arts film starring Ho Chung-tao and directed by Ng See-yuen. The film was released in the Hong Kong on 28 October 1976.
The film chronicles Bruce Lee's life beginning with Lee leaving China to go to University in Seattle. Most of the benchmarks of Lee's later life (cast in Green Hornet television series, marriage to Linda Lee, stardom in Hong Kong, death) are covered, with a somewhat less tenuous relationship to the truth as in previous Lee biopics.
Linda Lee was played by Lynda Hirst, an English women who was an army wife stationed in Hong Kong at the time of the filming. The director, having searched unsuccessfully for some time for a suitable 'Linda Lee' among available actresses, came across Lynda Hirst whilst out shopping in a local market and remarked on her resemblance to the late star's wife. On learning she was a 'Westerner' he immediately cast her in the (small) role. Lynda's real life sons can also be seen, very briefly, in the movie as Lee's children.
On 22 May 2000, DVD was released by Mia in the United Kingdom in Region 2. Two years later, Martial Arts Films Box Set DVD was released on 23 December 2002, at a 4 disc set that includes Black Friday, Legacy of Rage, and Rumble in Hong Kong.
In his three part Bruceploitation essay for Impact Magazine, Dean Meadows writes: "This was a bigger and better production, providing a larger budget, international locations and the name Ho Chung Tao on the opening credits. Upon its release, earlier, scandalous elements of the exploitational deluge had all but disappeared. Overlong scenes of the Little Dragon "in action" with Betty Ting Pei were absent from the production and the full contact fury that people had been waiting to see from a Bruce Lee bio-pic was finally realised. Every director can of course be afforded a little artistic license and whilst a number of fight scenes were completely fictionalised, Ng See Yuen had undoubtedly created a fitting tribute to the memory of the undisputed "King of Kung Fu". With first class choreography, Ho Chung Tao mirrored the Little Dragon in a number of standout fights."
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