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Britten's Children


Britten's Children is a scholarly 2006 book by John Bridcut that describes the English composer Benjamin Britten's relationship with several adolescent boys. Bridcut has been praised for treating such a sensitive subject in "an impeccably unsensational tone". The Britten-Pears Foundation described the book as having been "enthusiastically received as shedding new light on one of the most interesting aspects of Britten's life and career, in a study that is thoroughly researched, wonderfully readable and thought-provoking". Bridcut's book followed his television documentary Britten's Children shown on BBC2 in June 2004.

Bridcut writes that 13-year-old boys were Britten's ideal. He liked to imagine himself as still thirteen years old and once explained his ability to write so well for children, "It's because I'm still thirteen". Bridcut provides ample evidence that Britten was sexually attracted to young boys, but similarly shows that it is unlikely that Britten ever stepped over the line of propriety.

Britten lived with his long-time partner Peter Pears. Nevertheless, as Bridcut notes, there was frequent and continuing gossip in society about Britten's infatuation with boys. Britten would provide each new favourite with gifts and treats, and was a prolific letter-writer. The thousands of surviving letters are the source for many of Bridcut's observations.

Britten had a close friendship with Wulff Scherchen (son of the conductor Hermann Scherchen, and later known as John Woolford) whom he met when Wulff was 14 and Britten 21. Five years later in 1939, Britten dedicated the song "Antique" from his song cycle Les Illuminations to Wulff. As a German national, Scherchen was interned during World War II, following which he served in the British army. He and Britten continued to correspond, but when they met again in 1942 Britten found the 22-year-old "rather altered, I am afraid ... rather vindictive, and hard." The friendship faded, and Wulff eventually married.

The relationship with Wulff overlapped Britten's meeting with Peter Pears – Pears is also the dedicatee of a song in the Rimbaud cycle. In 1989 Wulff recalled, "I adored Peter. He was a wonderful father figure ... and I thought in a sense that he was the father to Benjamin at the same time ... He would restrain Benjamin when Ben was going off the rails ... He had this air of stability that Ben didn't have."


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