Play for Today: Brimstone and Treacle | |
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Written by | Dennis Potter |
Directed by | Barry Davis |
Starring |
Michael Kitchen Denholm Elliott, Patricia Lawrence, Michelle Newell |
Country of origin | United Kingdom |
Original language(s) | English |
Production | |
Producer(s) | Kenith Trodd |
Camera setup | multi-camera video/film inserts |
Running time | 72 minutes |
Release | |
Original network |
BBC 2 (originally intended for BBC 1) |
Original release | 25 August 1987 |
Brimstone and Treacle (Film version) | |
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Directed by | Richard Loncraine |
Produced by |
Naim Attallah (executive producer), Alan E. Salke, Herbert F. Solow, Kenith Trodd |
Written by | Dennis Potter |
Starring |
Sting Denholm Elliott Joan Plowright Suzanna Hamilton |
Production
company |
Namara Films,
Pennies From Heaven Ltd, Sherwood Productions |
Distributed by | United Artists Classics (USA) MGM (2003, DVD) |
Release date
|
1982 |
Running time
|
87 min. |
Country | United Kingdom |
Language | English |
Brimstone and Treacle is a 1976 BBC television play by Dennis Potter. Originally intended for broadcast as an episode of the Play for Today series, it remained untransmitted until 1987. The play, featuring Denholm Elliott, was made into a film version (released in 1982) co-starring Sting.
The play features a middle-aged middle-class couple living in a north London suburb whose life has been catastrophically affected by a hit-and-run accident which has left their beautiful undergraduate daughter totally dependent upon them, but their lives are dramatically changed by the arrival of a mysterious young stranger.
For two years, Tom and Amy Bates have been struggling to cope with their altered lives, after their daughter Pattie (or Patricia) was severely injured in a hit-and-run accident. Pattie is unable to walk, completely dependent upon others for the activities of daily living, and seemingly unable to communicate beyond making unintelligible sounds. Although poorly educated and gullible, Amy Bates firmly believes that Pattie is able to understand what is being said in her presence, whereas Tom Bates has given up all hope of her recovery. In fact, judging from the sounds she makes, Pattie seems to realise what is going on around her, but Tom Bates is beyond noticing.
One day on his way home from work he witnesses a handsome, well-dressed young man collapse in the street. Tom Bates is among the passersby who offer to help him. The young man, who gives his name as Martin Taylor, quickly recovers. A few hours later he turns up at the Bates', handing Tom Bates his wallet, which Martin pretends Tom lost in the general hubbub. Though the cash is gone, Bates' credit card is still there. Although Martin's true identity remains a mystery, Sting (who played Martin in the film production) has said that he believes him to be the Devil.
From the moment he enters the house, he casts furtive and knowing glances at the audience (according to the stage directions) so they know at once that he is not what he pretends to be. He claims to have been Pattie's fiancé.
He offers to be at Pattie's side despite the changed circumstances, and care for her for an unspecified period of time. Amy Bates in particular jumps at the suggestion; she has not had an hour off since Pattie's accident and is stranded in the house without the chance to go even to the hairdressers or do some window-shopping.