O Pão e o Vinho (English: Bread and Wine) is a 1981 Portuguese documentary feature film produced and directed by Ricardo Costa, his second docufiction after Changing Tides (Mau Tempo, Marés e Mudança) – 1996/7. The third is Mists (Brumas) - 2003.
O Pão e o Vinho is contemporary to the tetralogy Homem Montanhês (Mountain Man), a series of four documentary feature films that Ricardo Costa was shooting on the mountains in remote villages: Castro Laboreiro (film), Pitões a village of Barroso, Far away is the city and Further ahead on this road.
They are all ethnographic films, with one exception: Bred an Wine is not a pure documentary, since fictional elements have been added as part of the film narrative, in order to strength drama and highlight the nature of the subject (see visual anthropology). Bread and Wine is both docufiction and ethnofiction.
A common denominator for these films is that no conventional narrative is used. The story is told with poetic ellipses linking alternate actions and situations. Meaning arises from the flow of pictures, from the harmonic association of shots, slowly drawing a human portrait: a survivor.
All the Portuguese “ethnographic” films of these period involved passion (the portrait should be touching) and that means they are art films. António Campos, António Reis and some other left .important living “documents” of patrimonial interest that will be seen with emotion any time.