Boru Chandidas

Chandidas (Bengali: চণ্ডীদাস; born 1408 CE) refers to a medieval poet of Bengal or possibly more than one. Over 1250 poems related to the love of Radha and Krishna in Bengali with the bhanita of Chandidas are found with three different sobriquets along with his name, Baḍu, Dvija and Dina as well as without any sobriquet also. It is not clear whether these bhanitas actually refer to the same person or not. It is assumed by some modern scholars that the poems which are current in the name of Chandidas are actually the works of at least four different Chandidas, who are distinguished from each other by their sobriquets found in the bhanitas. It is also assumed that the earliest of them was Ananta Baḍu Chandidas, who has been more or less identified as a historical figure born in the 14th century in Birbhum district of the present-day West Bengal state and wrote the lyrical Srikrishna Kirtan (Songs in praise of Krishna).

In 1916, the Bangiya Sahitya Parishad published the manuscript of the Srikrishna Kirtan discovered by Basanta Ranjan Roy Bidwatballabh at Bankura. The Srikrishna Kirtan, as it name suggests, narrates the story of Krishna and his companion Radha. The storyline is derived from Shrimad Bhagavatam, the original book in Bhakti based Vaishnavism. However, Baru Chandidas managed to add substantial originality, making it a masterpiece of medieval Bengali literature. He gives the yearning of Radha a distinctly Bengali rendition, and in the process captures much of the social conditions of the day. As such he is considered to be a prominent Early Middle Bengal poet, however the date of his poem Srikrsnakirtana is still under question, while the text remains one of the most important evidences of early portrayal of the popular story of "Lord Krishna's love for the cowherd girl Radha". The 412 songs of Srikrsnakirtana are divided into thirteen sections that represent the core of the Radha-Krsna legendary cycle, with many variants providing excellent comparative material. The manuscript clearly suggests that the songs meant to be song, and implies particular ragas for the recitation. There is a considerable debate as to the authenticity of the text that has significant religious meaning.

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