#Boogaloo | |
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Stylistic origins | The fusion of soul music, rhythm and blues with Cuban mambo and son. |
Cultural origins | 1960s New York City |
Typical instruments | Piano, conga, trumpet, trombone, bass guitar, double bass, electric guitar, bongos, saxophone, güiro, timbales |
Regional scenes | |
New York and Puerto Rico |
Boogaloo or bugalú (also: shing-a-ling, Latin boogaloo, Latin R&B) is a genre of Latin music and dance which was popular in the United States in the 1960s. Although it came to prominence after the bossa nova and was influenced by the new drumbeat of modern samba, boogaloo originated in New York City mainly among teenage Puerto Ricans. The style was a fusion of popular African American rhythm and blues (R&B) and soul music with mambo and son montuno, with songs in both English and Spanish. The American Bandstand television program introduced the dance and the music to the mainstream American audience.
Except for the name, the dance is unrelated to the electric boogaloo, a style of dance which developed decades later under the influence of funk music and hip-hop dance.
In the 1950s and '60s, African Americans in the United States listened to various styles of music, including jump blues, R&B and doo-wop. Puerto Ricans in New York City shared these tastes, but they also listened to genres like mambo or chachachá and Bossa Nova. There was a mixing of Puerto Ricans, Cubans, African Americans and others in clubs, whose bands tried to find common musical ground. Boogaloo was a result of this search, a marriage of many styles including Cuban son montuno, guaguancó, guajira, guaracha, mambo, and American R&B and soul.