Bodil Ipsen
| Bodil Ipsen | |
|---|---|
Bodil Ipsen
|
|
| Born |
Bodil Louise Jensen Ipsen 30 August 1889 Copenhagen, Denmark |
| Died | 26 November 1964 (aged 75) Copenhagen, Denmark |
| Occupation | Actor, Director |
| Years active | 1909–1960 |
| Awards | Cannes Grand Prize 1946 De Røde Enge Bodil Award 1951 Cafe Paradis Bodil Award 1953 De Sande Ansigt Bodil Best Actress 1960 Tro, Håb og Trolddom |
Bodil Ipsen (30 August 1889 – 26 November 1964) was a Danish actress and film director, and is considered one of the great stars of Danish cinematic history. Her acting career, which began in theater and silent films, was marked by leading roles in large folk comedies and melodramas. However, it was as a director that she was most influential: directing the first Danish film noir and making several dark psychological thrillers during the 1940s and 1950s. Ipsen's name along with that of Bodil Kjer is given to Denmark's most celebrated film prize, the Bodil Award.
Bodil Louise Jensen Ipsen was born on 30 August 1889 in Copenhagen, Denmark. In 1908, after obtaining her high school diploma, Ipsen began studying at Det Kongelige Teater (Royal Danish Theatre) and made her stage debut there one year later. Her work on stage quickly received attention. Especially noted were her performances with Danish actor Poul Reumert. Throughout her career, Ipsen performed at the Royal Danish Theatre as well as the Dagmar Theater, The Folketeatret, and The Betty Nansen Theater. She also performed on stage in Sweden and Norway. Ipsen played almost 200 roles in the theater, the majority as lead actress, as well as 150 radio theater roles and four television parts.
In 1920, Ipsen made her film debut as a leading actress in Lavinen, directed by her third husband, Emanuel Gregers. She made films with Gregers in 1922 and 1923. Off and on, she acted in 12 films during her career. Her most noteworthy early performances were in big blustering comedies, such as the shrewish spinster Bollette in Bollettes Brudefærd or the Countess Danner in Gregers' Sørensen og Rasmussen.
Ipsen became a director in 1942 and directed 10 films in 10 years. Although Ipsen's acting talent was showcased in big romantic comedies, her seat in the director's chair marked the development of classic Danish dark dramas and mysteries. Her debut film, which she co-directed with Lau Lauritzen Jr. was the 1942 dark psychological thriller Afsporet (Derailed), the first true Danish film noir. Two years later, Ipsen directed another two even more extreme noirs, Mordets Melodi (Melody of Murder), about a singer accused of serial murders, and Besættelse (Possession), a taut thriller about a man's erotic obsession with a young woman.
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