Bob Roberts | |
---|---|
Birth name | Robert A. Roberts |
Also known as | "Ragtime" Bob Roberts Robert Roberts |
Born |
Cincinnati, Ohio, United States |
April 27, 1879
Died | January 21, 1930 Cincinnati, Ohio, US |
(aged 50)
Genres | Novelty, vaudeville |
Occupation(s) | Singer |
Instruments | Vocal |
Years active | 1902–c.1920 |
Labels | Columbia, Edison, Victor, Indestructible, others |
Robert A. "Bob" Roberts (April 27, 1879 – January 21, 1930), sometimes referred to as "Ragtime" Bob Roberts, was an American novelty singer in the early years of the 20th century.
He was born in Cincinnati, Ohio, the son of Nicholas (Nick) Roberts, a well-known clown who became the proprietor of one of the country's leading touring pantomime companies. Bob Roberts is assumed to have traveled widely with his father's shows in his youth. He made his recording debut for Columbia Records in 1902, and initially recorded remakes of other artists' records before starting to make recordings of new songs. Among the most successful of his early recordings for Columbia were "Hurrah For Baffin's Bay" and "By The Sycamore Tree", both in 1903.
Roberts also recorded for Edison, Victor, and other companies. He recorded prolifically, recording some songs for several different labels. One of his biggest comedy successes was with "The Woodchuck Song", written by Theodore Morse, with a chorus of "How much wood would a woodchuck chuck if a woodchuck could chuck wood?", which he recorded in 1904 for Edison, Columbia, Victor, and Zon-O-Phone Records. He also recorded for both Edison and Columbia as part of a duo with Albert Campbell.
He was at the peak of his recording career between 1903 and 1907, when he rivaled Billy Murray for popularity, and received a similar payment of $30 for each recording. He and Murray occasionally recorded together, as on "Oh! Oh! Sallie", in 1905. Roberts was a leading exponent of the comedic "coon song", such as "Wouldn't It Make You Hungry", written by Harry Von Tilzer, and "I'm Satisfied", many of them recorded for Zon-o-phone, a subsidiary of Victor.
The number of his recordings started to diminish around 1908, perhaps because he devoted more of his time to stage performances. Roberts spent long periods touring in vaudeville, where he became a popular monologist, and was a leading attraction at the Regal Theater in Los Angeles. However, he also continued to record for Edison, Columbia, Victor, and other labels such as Indestructible.