Bob Dylan Tour with Mark Knopfler 2012
| North American tour by Mark Knopfler | |
 |
|
| Location | North America |
|---|---|
| Associated album | Privateering |
| Start date | 5 October 2012 |
| End date | 21 November 2012 |
| Legs | 1 |
| No. of shows | 33 |
| Mark Knopfler concert chronology | |
The Bob Dylan Tour with Mark Knopfler 2012 was a concert tour by American singer-songwriter Bob Dylan and British singer-songwriter and guitarist Mark Knopfler. The North American tour, which was part of Dylan's Never Ending Tour 2012, started on 5 October 2012 in Winnipeg, Manitoba, and included 33 concerts in 31 cities, ending in Brooklyn, New York, on 21 November 2012.
The concerts typically consisted of Knopfler and his band performing an eleven-song opening set, followed by Dylan and his band performing a fourteen-song set, with Knopfler accompanying Dylan on guitar for the first four songs.
Knopfler used the opportunity of the tour to promote the release of his album Privateering, which was released on 3 September 2012. Setlists from this tour included a number of new songs from the album, such as "Redbud Tree", "Haul Away", "Privateering", "Miss You Blues", "Corned Beef City", "Yon Two Crows", and "I Used to Could".
Knopfler's tour lineup included Mark Knopfler (guitar, vocals), Richard Bennett (guitar), Guy Fletcher (keyboards), Jim Cox (piano, organ, accordion), Michael McGoldrick (whistles, uilleann pipes), John McCusker (violin, cittern), Glenn Worf (bass), and Ian Thomas (drums).
Knopfler and his band received positive reviews for their sets during the tour. In his review for UT San Diego, George Varga praised Knopfler for "delivering a remarkably tasteful set". Commenting on Knopfler's accompanying Dylan on "Summer Days", Varga noted:
Knopfler was notably deferential, adding a few Les Paul-inspired guitar filigrees, but clearly holding back, lest he detract from the star of the show. As a result, the song simmered nicely, without ever hitting a full boil.
In his review for the Los Angeles Times, Randall Roberts praised Knopfler and his band for offered a "beautiful set". Roberts noted that Knopfler's guitar tone is "an exquisite, instantly recognizable creation".
In his review for the Vancouver Sun, Francois Marchand praised Knopfler and his band for their performance.
The legendary axe man's guitar skills were as impeccable as ever, and he wove his way through a dozen songs with inimitable style and a disconcerting ease. Backed by an ace seven-piece band, Knopfler opened with What It Is, his classic guitar tone instantly recognizable as it echoed throughout the room. The stage looked like a museum of vintage amps, each one cooler than the next. Knopfler was electrifying even when he was unplugged, getting a mighty roar after the bagpipe-laden Privateering, ... followed by a measured, lap steel-tinged Redbud Tree, again with that classic Stratocaster tone coming out of those Marshall amps, Knopfler's fingers perhaps speaking more eloquently than the 63-year old's voice. Knopfler was calm and collected, laying into his folky and bluesy grooves slow and steady—the stripped down guitar, drums and standup bass combo on Song for Sonny Liston, the shuffle and stomp of Marbletown, ending in an extended Celtic flute-and-fiddle jam—and it all sounded excellent thanks to expert hands on the board at the back of the room.
...
Wikipedia