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Bloody Men

Bloody Men
Bloody Men (album).jpg
Studio album by Steeleye Span
Released 2006
Recorded 2006
Genre Electric folk
Label Park Records
Steeleye Span chronology
Winter
(2004)
Bloody Men
(2006)
Cogs, Wheels & Lovers
(2009)
Professional ratings
Review scores
Source Rating
Allmusic 4/5 stars [1]

Bloody Men is the 20th studio album by the British electric folk band Steeleye Span.

This album represents a continuation of the band's recent surge of activity. In 2002, the band was in a state of near collapse, since three members of its line-up at the time, Tim Harries, Gay Woods, and Bob Johnson, had all departed, leaving long-time member Peter Knight and recently returned member Rick Kemp as the only remaining members. That same year, Knight persuaded former members Maddy Prior and Liam Genockey to return and coaxed Johnson out of retirement to record the album Present--The Very Best of Steeleye Span. Ken Nicol came on board to replace Johnson, and the band has been relatively active since then, releasing two albums, They Called Her Babylon and Winter, in 2004, and Bloody Men late in 2006, as well as touring extensively.

During its heyday in the 1970s, Steeleye almost exclusively recorded their arrangements of traditional songs, with occasional forays into versions of 20th century songs by other artists such as Buddy Holly and Bertolt Brecht. But starting in the early 1980s, the band's albums have increasingly focused on a mixture of traditional songs and their own compositions, and 'Bloody Men' continues that trend, albeit with a new twist. The album consists of 2 CDs, the first a mixture of traditional and original pieces. The second CD is the 5-song "Ned Ludd" cycle, written mostly by Kemp, about the 19th century Luddite movement. The band has never attempted a multi-song cycle like this before.

The album opens with the bawdy "Bonny Black Hare", on which Prior sings in a gravelly voice and Knight plays his violin rather like an electric guitar, a successful experiment that goes unrepeated on the album. Other highlights include a hard-rock cover of "Cold Haily Windy Night", which the band first offered on Please to See the King, the brisk "The 3 Sisters" and the cheerful "Lord Elgin". The notes for "Lord Elgin" say that "this song is not what it seems on the face of it," indicating that it is a riddle-song. A probable solution is at the bottom of the page. The song "Whummil Bore" is about a servant looking through a whummil bore (a hole bored with a gimlet-like tool) and watching a lady getting dressed. The instrumental "First House in Connaught" is a cover of a track from Tempted and Tried, the first time the band has ever covered one of its own instrumental pieces.


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