"Black Tears" | ||||
---|---|---|---|---|
Song by Powderfinger | ||||
from the album Dream Days at the Hotel Existence | ||||
Released | 2 June 2007 (Dream Days at the Hotel Existence) | |||
Recorded |
Sunset Sound, Los Angeles January 2007–April 2007 |
|||
Genre | Folk | |||
Length | 2:30 | |||
Label | Universal Music Australia | |||
Songwriter(s) | Powderfinger (Jon Coghill, John Collins, Bernard Fanning, Ian Haug, Darren Middleton) | |||
Producer(s) | Rob Schnapf | |||
Dream Days at the Hotel Existence track listing | ||||
|
"Black Tears" is a song by Australian alternative rock band Powderfinger, from their sixth studio album Dream Days at the Hotel Existence. The song is an acoustic ballad in a folk music style, beginning with one guitar and a lead vocal, later introducing a guitar with a synthesised effect from the first chorus. Following the Dream Days at the Hotel Existence release, live versions of the song have been released on other recordings.
The song did not cause the release of the album to be delayed, despite claims that the song's lyrics could interfere with the 2004 Palm Island death in custody case.
On 2 May 2007, mX, an afternoon newspaper in Brisbane, revealed that the defence team for Senior Sergeant Chris Hurley would be referring the song to Queensland Attorney-General Kerry Shine, due to concerns that the song's lyrics could prejudice the 2004 Palm Island death in custody, where Hurley had been charged for manslaughter. On 2 May Hurley's lawyer Glen Cranny said "The content and proposed timing of the song’s release raises some serious concerns regarding Mr Hurley’s trial." It was claimed by the defence team that the song's lyrics were similar to the events that took place surrounding the death of Mulrunji. The band's manager, Paul Piticco, conceded the song was about the case but insisted they were not specific enough to cause a problem. The album was set to be released 10 days before Hurley would face Townsville Supreme Court, on 12 June. There were concerns that the case's jury could potentially be biased by the lyrical content.