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Black Cherry (Goldfrapp album)

Black Cherry
The cover is a picture of a woman wearing a black top hat and a white low-cut top.
Studio album by Goldfrapp
Released 23 April 2003 (2003-04-23)
Recorded 2002 in Bath, Somerset, England
Genre
Length 42:57
Label Mute
Producer
Goldfrapp chronology
Felt Mountain
(2000)
Black Cherry
(2003)
Supernature
(2005)
Singles from Black Cherry
  1. "Train"
    Released: 14 April 2003
  2. "Strict Machine"
    Released: 21 July 2003
  3. "Twist"
    Released: 3 November 2003
  4. "Black Cherry"
    Released: 1 March 2004
Professional ratings
Aggregate scores
Source Rating
Metacritic 72/100
Review scores
Source Rating
About.com 4/5 stars
AllMusic 4/5 stars
Blender 4/5 stars
Drowned in Sound 7/10
The Guardian 4/5 stars
Pitchfork 5.8/10
Rolling Stone 4/5 stars
Slant Magazine 4/5 stars
Spin B
Uncut 5/5 stars

Black Cherry is the second studio album by English electronic music duo Goldfrapp, released on 23 April 2003 by Mute Records. It marked a departure from the ambient sound of their debut album, Felt Mountain (2000), incorporating glam rock and synthpop music; inspirations were Spanish disco group Baccara and Swedish techno artist Håkan Lidbo. The album was met with positive reviews, with many critics complimenting its blend of retro and modern electropop music.

The album debuted at number 19 on the UK Albums Chart and has been certified platinum by the British Phonographic Industry (BPI). As of May 2005, it had sold nearly 500,000 copies worldwide. Black Cherry yielded four singles, including "Strict Machine", which reached number 20 on the UK Singles Chart. It earned the band a nomination for Best British Dance Act at the 2004 Brit Awards. The album was supported by the Black Cherry Tour (2003–04).

The duo wrote three songs while touring in support of their debut album Felt Mountain, but decided to take their work in a different direction with more rhythmic music. Goldfrapp chose to record in a studio in a Bohemian area of Bath, England, because they needed a place to put their equipment and start working. The band began working on the album in January 2002 with a list of songs they wanted to try to record, such as a disco song with only string instruments. The studio's walls were covered in neon lights and Alison Goldfrapp used them to write down her song ideas. They recorded early demos and worked on pre-production using a Yamaha 02R digital mixing console. Goldfrapp held jam sessions with Mark Linkous and Adrian Utley and, after they built momentum writing the album, decided not to move to another studio.


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