10 tracks
Side one "Brown Sugar" "Sway" "Wild Horses" "Can't You Hear Me Knocking" "You Gotta Move" Side two "Bitch" "I Got the Blues" "Sister Morphine" "Dead Flowers" "Moonlight Mile"

10 tracks
Side one "Brown Sugar" "Sway" "Wild Horses" "Can't You Hear Me Knocking" "You Gotta Move" Side two "Bitch" "I Got the Blues" "Sister Morphine" "Dead Flowers" "Moonlight Mile"

"Bitch" is a song by the English rock band The Rolling Stones from their 1971 album Sticky Fingers, first released one week before the album as the b-side to its advance single, "Brown Sugar". Despite not being used as an official single by itself, the tune has garnered major airplay from classic rock radio stations. With a bombastic use of horns, the track is not about a specific woman, but it instead focuses on how, in general, "love is a bitch".

Written by Mick Jagger and Keith Richards, "Bitch" was recorded in October 1970 at London's Olympic Studios, and at Stargroves utilising the Rolling Stones Mobile studio.

Bitch is the second incarnation of the classic outtake Highway Child as shown by the alternate early version released in 2015 in the bonus disc of the Sticky Fingers reissue, which includes lyric and other elements from Highway Child. While Highway Child could stem from a Redlands rehearsal in spring 1968 (or London 1970 as well), Bitch was conceived during the Sticky Fingers sessions in October 1970. Richards was late that day, but when he arrived he transformed a loose jam into the trademark riff found on the released take. Andy Johns claims:

When we were doing Bitch, Keith was very late. Jagger and Mick Taylor had been playing the song without him and it didn't sound very good. I walked out of the kitchen and he was sitting on the floor with no shoes, eating a bowl of cereal. Suddenly he said, Oi, Andy! Give me that guitar. I handed him his clear Dan Armstrong Plexiglass guitar, he put it on, kicked the song up in tempo, and just put the vibe right on it. Instantly, it went from being this laconic mess into a real groove. And I thought, Wow. THAT'S what he does.

- Andy Johns, 2007

The song is also notable for its heavy brass section that punctuates the guitar riff after the choruses. Mick Jagger said:

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Wikipedia