Birmingham Municipal Bank | |
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General information | |
Type | Bank |
Architectural style | Neo Classical |
Address | 301 Broad Street |
Town or city | Birmingham |
Country | England |
Coordinates | 52°28′42.80″N 1°54′27.34″W / 52.4785556°N 1.9075944°WCoordinates: 52°28′42.80″N 1°54′27.34″W / 52.4785556°N 1.9075944°W |
Elevation | 144m |
Current tenants | Vacant |
Completed | 1933 |
Client | Birmingham Municipal Bank |
Owner | Birmingham City Council |
Technical details | |
Material | Portland stone |
Floor count | 1(OG) 1(UG) |
Design and construction | |
Architect | Thomas Cecil Howitt |
Listed Building – Grade II
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Designated | 14 October 1996 |
Reference no. | 1268165 |
The former headquarters of the Birmingham Municipal Bank is a Grade II listed building by Thomas Cecil Howitt opposite what is now Centenary Square at 301 Broad Street, Birmingham, England.
The building was opened on 27 November 1933 by Prince George. The BMB ceased to be a department of the city council in 1976, becoming a Trustee Savings Bank,
After the bank vacated the building, it was sold in 2006 to Birmingham City Council. The building was granted grade II listed status on 14 October 1996.
The building has subsequently seen occasional use as an art venue. In March 2007, Birmingham Opera Company produced a new version of Mozart's Don Giovanni, renamed He Had It Coming, in the bank.
On 14–17 March 2013 the first contemporary arts exhibition at the building was held, titled 'Thrift Radiates Happiness'. The title of the exhibition was Thrift Radiates Happiness. The line was taken from an inscription found carved across a main beam within the building.
The exhibition included a programme of drawings, images, sound and light, video and sound from local, national and international artists with all the works focused on finance and investment.
The event was an arts and business collaboration between Birmingham based gallery TROVE, Royal Institute of British Architects (RIBA), the Birmingham Architectural Association (BAA), Birmingham City Council and architecture practice Aedas. Entrance to the exhibition was free thanks to funding awarded by The Arts Council, RIBA and Aedas.