Bicycles and Tricycles
| Bicycles & Tricycles | ||||
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| Studio album by The Orb | ||||
| Released | UK: May 2004 US: 13 July 2004 |
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| Genre | Electronica, dub, house, breakbeat | |||
| Length | UK: 63:55 US: 58:26 |
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| Label | UK: Cooking Vinyl US: Sanctuary/BMG Records |
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| Producer | Alex Paterson, Thomas Fehlmann, John Roome | |||
| The Orb chronology | ||||
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| Professional ratings | |
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| Aggregate scores | |
| Source | Rating |
| Metacritic | 61/100 |
| Review scores | |
| Source | Rating |
| AllMusic |   |
| Almost Cool | 6.5/10 |
| Pitchfork Media | 6.5/10 |
| The Guardian | |
| Rolling Stone | |
| Release Magazine | 7/10 |
| About.com |  |
| Slant Magazine | |
| URB | |
| Resident Advisor | |
Bicycles & Tricycles is the sixth studio album from the Orb. It brought together The Orb's style of the early 1990s with current electronic music to mixed reactions.The Daily Telegraph praised Bicycles & Tricycles as being "inclusive, exploratory, and an enjoyable journey"; however, many other publications dismissed it as "stoner dub" and largely irrelevant to current electronic music culture. In addition to Paterson, Roome, Phillips, and Fehlmann, The Corporal contributed with vocoder affected singing and MC Soom-T provided lyrics and rapped. Orb co-founder Jimmy Cauty, too, made a guest appearance as co-writer on Bicycles & Tricycles' "From a Distance". After departing from Island Records, The Orb released Bicycles & Tricycles in 2004 on Cooking Vinyl in the United Kingdom and Sanctuary Records in the United States. To promote the album, The Orb began a UK tour with dub reggae artist Mad Professor, who had remixed The Orb in the past. Though The Orb still pulled in large crowds, The Guardian described one London performance as "joyless" and stated that "few of the new tracks... really go anywhere". They also noted that Paterson seemed to be far more comfortable and happier to play material from Bicycles & Tricycles rather than older tracks. Paterson's biggest influences for the album were drum and bass and trip hop music.
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