Beyond the Rocks

Beyond the Rocks is a 1906 novel by Elinor Glyn. The novel was later adapted into a 1922 silent film in which Gloria Swanson and Rudolph Valentino (credited as Rodolph Valentino) starred together for the only time. The film was directed by Sam Wood and distributed by Paramount Pictures.

The novel's title comes from a conversation in Chapter 4 about the nature of Fate, where the main character expresses belief that "if one does one's best some kind angel will guide one's bark [on the river of life] past the rocks and safely into the smooth waters of the pool beyond." Frequently thereafter, the characters long for angels who will steer them "beyond the rocks."

The beautiful young Theodora Fitzgerald belongs to a family of noble lineage whose fortunes have waned and who have lived in near poverty for most of her life. The book begins with her arranged marriage to Josiah Brown, a nouveau-riche Australian in his fifties. The marriage was contracted for convenience: Josiah simply wants a pretty and aristocratic wife to improve his standing in society, and the Fitzgerald family are in need of Brown's financial resources. Theodora only agrees to the marriage for the sake of her father and sisters.

Immediately after the wedding, Josiah falls ill. Theodora proves a dutiful and capable wife, and attends to her husband's every need, though she is secretly very unhappy. After a year of marriage, Josiah is well enough to visit Paris, where Theodora sees her father, Dominic, again for the first time since her wedding. She is thrilled to observe that at least he is receiving all the benefits she'd hoped to bring from her sacrifice: he now runs in aristocratic circles and is courting a wealthy American widow, Mrs. McBride. Theodora attends several social outings with her father, and at one dinner is introduced to Hector, Lord Bracondale. Theodora and Hector hit things off splendidly, and soon fall in love. Mrs. McBride is aware of Theodora's unhappy marriage, and seeing the situation she sympathetically arranges for Hector and Theodora to spend time together as often as possible. One day while Theodora and Hector are being chauffeured back to Paris after an outing at Versailles, the two indulge in a romantic encounter in the back of the car. Full of guilt thereafter, the two conclude they must behave themselves from now on and must no longer pursue each other romantically; they will, however, continue to be friendly to one another any time future social obligations might cause them to meet.