Between the Sheets (The Isley Brothers album)
| Between the Sheets | ||||
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| Studio album by The Isley Brothers | ||||
| Released | April 24, 1983 | |||
| Recorded | November 1982 – February 1983 | |||
| Studio | Bearsville Studios, Bearsville, New York | |||
| Genre | Funk, R&B, quiet storm, funk rock, smooth soul | |||
| Length | 46:16 | |||
| Label | T-Neck Records | |||
| Producer | The Isley Brothers | |||
| The Isley Brothers chronology | ||||
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| Singles from Between the Sheets | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |
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Between the Sheets is the 22nd album released by The Isley Brothers on their T-Neck imprint on April 24, 1983. The album is notable for the title track, the follow-up hit "Choosey Lover", and the ballad "Touch Me".
The Isley Brothers recorded songs for the album to react to disappointing sales of their albums, Inside You and The Real Deal, albums that failed to sell and produce no hit single. The group returned to Bearsville Studios in November 1982 to work on the album. Like previous albums, all the instrumentation and composition was handled by Chris Jasper, Ernie Isley and younger brother Marvin. Some songs were initially devised as songs for a splinter project the trio were working on. Eventually, however, lead singer Ronald Isley sought interest in a few of the tracks, including the title song, which was composed by the trio of Jasper and the younger Isley brothers in response to Marvin Gaye's hit, "Sexual Healing".
Adding additional composition, Ronald helped to compose "Choosey Lover" with the younger brothers with the melody based on Earth, Wind & Fire's "Devotion". Other songs reflected on social commentary included "Slow Down Children", aimed at inner city youth, and the anti-war song, "Ballad for the Fallen Soldier". Much like The Real Deal, Jasper and the other Isleys began adding background vocals to the tracks, whereas in previous Isley records, the vocals had been handled primarily by Ronald and older brothers Kelly and Rudolph. Lead vocals in some songs were often shared by one or two of the brothers. But throughout the entire album, most of the album was vocally led by Ronald.
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