Betty Edwards

Betty Edwards (born 1926 in San Francisco, California) is an American art teacher and author, best known for her 1979 book, Drawing on the Right Side of the Brain (as of April 2012^[update], in its 4th edition). She taught and did research at the California State University, Long Beach until she retired in the late '90s. While there, she founded the Center for the Educational Applications of Brain Hemisphere Research.

She received a Bachelor's in Art from the University of California, Los Angeles (UCLA, 1947), a Master's of Art from California State University, Northridge, and a Doctorate in Art, Education, and Psychology from UCLA (1976).

Drawing on the Right Side of the Brain has remained the dominant book on its subject, used as a standard text in many art schools, and has been translated and published in many foreign languages, including French, Spanish, German, Polish, Hungarian Chinese and Japanese. Her company, Drawing on the Right Side of the Brain, develops special drawing tools, materials, and videos to help individuals learn to draw.

An artist and painter, she taught at high school level in the Los Angeles public school district (Venice High School), then at community college, and from 1978 until her retirement in 1991, in the Art Department at California State University, Long Beach. All of her teaching experience has been in art: drawing, painting, art history, art-teacher training, and color theory. In addition to teaching drawing workshops around the world, she has also done business consulting with major national and international corporations to enhance creative problem solving.

Edwards's method of drawing and teaching was revolutionary when she published it in 1979. It received an immediate positive response, and is now widely accepted by artists, teachers, and others around the world. Underlying the method is the notion that the brain has two ways of perceiving and processing reality – one verbal and analytic, the other visual and perceptual. Edwards' method advocates suppressing the former in favor of the latter. It focuses on disregarding preconceived notions of what the drawn object should look like, and on individually "seeing". Drawing, says Edwards, has five component skills of perception and drawing:

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