Berliner Phonogramm-Archiv

The term Berliner Phonogramm-Archiv is used to refer to:

The project was initiated in September 1900 by the psychology professor Carl Stumpf, after the visit to Germany of a music theater group from Siam, which Stumpf recorded on Edison cylinders with the assistance of the Berlin physician Otto Abraham. The archive's first director was Erich von Hornbostel, serving from 1905 to 1933. Its recordings, which comprise Edison cylinders and 78-rpm records of the traditional musics of the world, were first used for studies in comparative musicology, and now used for studies in ethnomusicology. The archive comprises approximately 350 collections, containing music from Africa (30%), North America (20%), Asia (20%), Australia and Oceania (12%), and Europe (10.4%), as well as multiregional collections (7.4%), which contain material from several continents.

The last cylinder field recording in the collection was made in 1953.

In 1944 during the wartime invasion of Germany, around 90% of the collection was taken into Russia. In 1991, following the reunification of East and West Germany, the pre-1944 collections held by the Soviets were returned to the Museum für Völkerkunde.

The historical collections include approximately 30,000 cylinders (original recordings and copies, positives and negatives) on which more than 16,000 distinct recordings are stored.

In 1999, the cylinder recordings of the Berliner Phonogramm-Archiv were inscribed on UNESCO’s Memory of the World Register.

Initially, the Berliner Phonogramm-Archiv belonged to the Institute for Psychology of the Friedrich Wilhelm University in Berlin. Later, in the 1920s, it was relocated to the Berlin Conservatory, and then in the 1930s, it became part of the Museum für Völkerkunde (now the Ethnological Museum of Berlin), with which the Phonogramm-Archiv had earlier cooperated.

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