Berberian Sound Studio
| Berberian Sound Studio | |
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British poster for Berberian Sound Studio
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| Directed by | Peter Strickland |
| Produced by | Scott Page |
| Written by | Peter Strickland |
| Starring | |
| Music by | Will Slater |
| Cinematography | Nicholas D. Knowland |
| Edited by | Chris Dickens |
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Production
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| Distributed by | Universal |
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Release date
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Running time
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94 minutes |
| Country | United Kingdom |
| Box office | $31,641 |
Berberian Sound Studio is a 2012 British horror film. It is the second feature film by British director and screenwriter Peter Strickland. The film, starring Toby Jones, is a psychological thriller set in a 1970s Italian horror film studio.
British sound engineer Gilderoy (Toby Jones) arrives at the Berberian film studio in Italy to work on what he believes is a film about horses. During a surreal meeting with Francesco, the film's producer, Gilderoy is shocked to find the film is actually an Italian giallo film, The Equestrian Vortex. He nonetheless begins work in the studio, at one point made to do Foley work, using vegetables to create sound effects for the film's increasingly gory torture sequences, and mixing voiceovers from session artists, Silvia and Claudia, into the score.
As time passes, and Gilderoy feels more and more disconnected from his mother at home, he begins to fear he's out of his depth. His colleagues seem increasingly rude – to both himself and to each other. The horror sequences grow ever more shocking, yet Santini, the director, refuses to admit they are working on a horror film. And, after a long passage through the bureaucracy of the film studio's accounts department, it turns out the plane ticket Gilderoy submitted for a refund can't be processed because the flight didn't actually exist.
The plot, from here on in, grows increasingly erratic. Gilderoy hears and sees things in the night. He discovers Silvia, the voiceover artist, was molested by Santini. She storms out, destroying much of their work, forcing Gilderoy to re-record the dialogue with a new actress, Elisa. As Silvia's recording sequences are revisited again, and tension grows between Gilderoy and the others, the boundaries between the blood-drenched giallo thriller and real life begin to erode. Gilderoy imagines he himself is in a film about his life – suddenly fluent in Italian and increasingly detached and vicious. After he and Francesco essentially torture Elisa during a recording session, she walks out, leaving history to repeat itself yet again, and Gilderoy to contemplate the monster he has become.
Strickland made a version in 2005 as a short film, prior to working on his first feature film, Katalin Varga, in 2006. He said that with the film, he wanted to "make a film where everything that is usually hidden in cinema, the mechanics of film itself, is made visible. Berberian... turns this on its head. Here, the film is out of view, and you only see the mechanics behind it".
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