Benjy Davis Project
| Benjy Davis Project | |
|---|---|
| Origin | Baton Rouge, Louisiana, United States |
| Genres |
Alternative Rock Rock Southern Rock |
| Years active | 2001–present |
| Labels | Rock Ridge Music |
| Website | http://www.benjydavisproject.com |
| Members | Benjy Davis Mic Capdevielle |
Benjy Davis Project was formed in Baton Rouge, Louisiana in 2001 as a simple folk-rock duo, but quickly grew into a popular regional band. Eventually expanding into a six-piece group, the Benjy Davis Project has recorded four albums and two EPs. They have played across the country as headliners and support act on shows with John Mayer, Better Than Ezra, Sister Hazel, North Mississippi All-Stars and others, as well as events like the New Orleans Jazz & Heritage Festival. In 2009 and 2010, the band performed at Hotel Carolina, an annual two-day singer-songwriter festival held in South Carolina.
Louisiana singer/songwriter Benjy Davis formed the Benjy Davis Project as a folk-rock duo in Baton Rouge in 2001. Originally, the group members were Davis and drummer Mic Capdevielle. Eventually, the outfit expanded into a six-piece with the addition of Anthony Rushing (violin, mandolin, vocals), Jonathan Lawhun (guitar, banjo), Brett Bolden (bass) (later replaced by Matt Rusnak), and Michael Galasso (harmonica, keyboards, vocals). The group self-released its first album More Than Local on June 11, 2002 and an EP The Practice Sessions, on May 4, 2004. Bogalusa issued their second full-length album, The Angie House, on September 27, 2005. The song "Sweet Southern Moon" was featured in a 2007 advertisement campaign for Louisiana-based Abita Brewing Company.
Real Records stepped in to handle their third full-length release, Dust, released on September 18, 2007. Benjy Davis Project was soon signed to Rock Ridge Music in August 2008, and re-released Dust on November 4, 2008. The new release was remixed and included three new songs. Dust was produced by David Z (Prince, Fine Young Cannibals, Jonny Lang, Kenny Wayne Shepherd, Big Head Todd & the Monsters) and was the culmination of all the best creative parts from the band’s past. “These sessions were more raw, more real,” Davis said. “David wanted to record us where we were and how we played at that moment in time. And we were introduced to more elements of the arrangement process, the architecture. And we did it in four days, so there was more pressure to perform, in a good way.”
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