Benjamin Altman
| Benjamin Altman | |
|---|---|
Altman by Ellen Emmet Rand
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| Born |
July 12, 1840 New York City |
| Died | October 7, 1913 (aged 73) New York City |
| Nationality | American |
Benjamin Altman (July 12, 1840 – October 7, 1913) was an entrepreneur and art collector who born and died in New York City. He was the son of Bavarian Jews who emigrated to America in 1835 and opened a small store on Attorney Street in New York City.
After working in his father's dry goods store, Altman set out on his own. In 1865, Altman founded B. Altman & Co., a dry goods store located on Third Avenue and 10th Street in New York City. Over the years, the store grew in prosperity and expanded to several other locations. In 1877, a large storefront opened on Sixth Avenue. Dubbed the "Palace of Trade" for its lavish architecture, Altman's store was one of the first to display clothing for different ages in different areas.
Shortly before his death, he founded the Altman Foundation, a charity to support educational institutions in New York City.
Benjamin Altman was an avid collector of Rembrandt paintings and Oriental porcelain, much of which he acquired through his friend, art dealer Henry J. Duveen. Upon his death, he donated the collection to the Metropolitan Museum of Art. The collection also contains notable portraits of Flemish and German merchants from the Renaissance.
There is a portrait of Altman in the New York State Museum in Albany; it was painted by the Swiss-born American artist Adolfo Müller-Ury (1862–1947) and donated to the New York Chamber of Commerce by Michael Friedsam. Müller-Ury knew Altman personally as a client of art dealer Henry Duveen. He was compelled to paint from a photograph after Altman's death. He first completed a 50 x 40 (inch) portrait of Altman seated in his gallery with a Rembrandt behind him and a Chinese vase on a table beside him, but the Metropolitan Museum of Art, for whom this had been painted, chose another portrait of Altman by Ellen Emmet Rand also made from a photograph, and Müller-Ury's larger work went to the Foundation offices; it has since disappeared.
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