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Ben Greenman


Ben Greenman (born September 28, 1969) is a novelist, author, and magazine journalist who has written fiction and non-fiction books, as well as many collaborations with pop-music artists like Questlove, George Clinton, Brian Wilson, Gene Simmons, and others.

In 2001 McSweeneys published Greenman's debut, Superbad, a collection of humor pieces and serious short fiction that included several satirical musicals. It has the same title as, but not the same contents as, the popular teen comedy; Greenman engaged in a fake feud with Seth Rogen over the title. The book's cover art was a painting by the artist Mark Tansey. Greenman's next book, Superworse, the Novel: A Remix of Superbad, was published in 2004 by Soft Skull, an independent Brooklyn publisher. It refashioned the book into a novel that was overseen and edited by a man named Laurence Once. Kirkus called it "something extraordinary."

In 2007, Macadam/Cage published Greenman's second collection of stories. It was selected by Barnes and Noble for its Discover Great Writers series, and included both comic work and more serious stories like "In the Air Room," which fictionalized the famous controversy over James McNeill Whistler and the Peacock Room. Elizabeth Gold, writing on SFGate, said that "the best of the stories in this collection are more than funny."

In 2009, Melville House published Greenman's second novel, which was a fictionalized biography of a funk-rock star based loosely on Sly Stone, Marvin Gaye, Curtis Mayfield, and others. The funk-rock star Swamp Dogg recorded a theme song for the book.

In 2008, Hotel St. George press released a handmade and letterpress-printed edition of Greenman's book Correspondences that included an intricate book casing that unfolded to reveal three accordion books and a postcard. The project was reviewed favorably by the Los Angeles Times and Time Out.

In fall 2009 Greenman signed with Harper Collins: the first book will be What He's Poised To Do, an expanded paperback based on the material from Correspondences. The book was praised by Steve Almond in the Los Angeles Times.


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