Behind the Mask: The Rise of Leslie Vernon | |
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![]() Theatrical release poster
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Directed by | Scott Glosserman |
Produced by | Scott Glosserman |
Written by |
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Starring | |
Music by | Gordy Haab |
Cinematography | Jaron Presant |
Edited by | Sean Presant |
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Distributed by | Anchor Bay Entertainment |
Release date
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Running time
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92 minutes |
Country | United States |
Language | English |
Box office | $69,136 |
Behind the Mask: The Rise of Leslie Vernon is a 2006 American mockumentary black comedy horror film directed by Scott Glosserman. It stars Nathan Baesel, Angela Goethals, Robert Englund and Scott Wilson. Although largely filmed in Oregon, the film takes place in a small town in Maryland, and follows a journalist and her film crew that is documenting an aspiring serial killer who models himself according to slasher film conventions.
The film is an homage to the slasher film genre and features cameos from several veteran horror actors, including Robert Englund, Zelda Rubinstein, and Kane Hodder. The film premiered at the 2006 South by Southwest film festival and was shown at several other festivals. It received a limited release in the United States on March 16, 2007.
The film is shot as a documentary set in a world where the killers depicted in famous slasher films are real. A female journalist named Taylor Gentry and her two cameramen, Doug and Todd, document the preparations of Leslie Vernon as he prepares to join the ranks of other slasher villains. Leslie takes his identity from an urban legend about a boy who killed his family and was cast into a river by angry townsfolk.
He initially claims to be the vengeful spirit of the slain boy but soon admits that he is an ordinary man named Leslie Mancuso who must rely on conventional tactics rather than supernatural powers. Taylor and her crew film Leslie's meticulous preparations to slaughter a number of teenagers in an abandoned house and then be confronted by a virginal "survivor girl", Kelly. Taylor and her crew come to share Leslie's enthusiasm for his project, but their consciences catch up with them on the night of the murders.