Beefeater (band)

Beefeater
Origin	Washington D.C.
Genres	Post-hardcore
Years active	1984–1986
Labels	Dischord Records
Associated acts	Red C Strange Boutique Fidelity Jones Rhythm Pigs Embrace Rites of Spring To Live and Shave in L.A.
Past members	Tomas Squip Fred "Freak" Smith Dug E.Bird (Birdzell) Bruce Taylor Mark Shellhaas Kenny Craun

Beefeater was an American post-hardcore band from late 1984 until late 1986. Formed by Tomas Squip, Fred "Freak" Smith, Dug E. Bird (Birdzell) and Bruce Atchley Taylor. Along with Embrace, and Rites of Spring, they were one of the mainstay acts of the 1985 Revolution Summer movement which took place within the Washington, D.C. hardcore punk scene. They were pioneers of the post-hardcore genre in the mid-1980s with similar bands like Embrace, Rites of Spring and Gray Matter, among others.

Beefeater's debut LP, Plays for Lovers, was released in 1985 on Dischord Records, their follow-up was the six-song 1986 Need a Job EP, whereas their second record on Dischord, House Burning Down, was posthumously released in 1987 as their farewell album. Both band's Dischord releases would be combined on the 1992 compilation CD Plays For Lovers & House Burning Down, with two bonus tracks.

For Beefeater's second record, drummer Bruce Taylor was replaced by Mark "Two-Chair" Shellhaas, who in turn, would be substituted by Kenny Craun for the band's final album. After the breakup of Beefeater, Squip and Birdzell went on to form Fidelity Jones, while Craun joined the Rhythm Pigs, and Fred "Freak" Smith joined Strange Boutique.

While Beefeater's songs had all the angry energy of its hardcore labelmates the energy was channelled as much through funk and jazz as rock and roll. Dug E. Bird's fast-paced bass slap drives a rhythm section over which Fred "Not Sonic" Smith's guitar rides in a way reminiscent of the Minutemen. House Burning Down saw the incorporation of even more non-punk influences, most notably world music and included musical cameos many of the Dischord Records regulars (Ian MacKaye provides an intro to the album, in addition to some saxophone).

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