11 tracks
Side one "Give Me Love (Give Me Peace on Earth)" "Sue Me, Sue You Blues" "The Light That Has Lighted the World" "Don't Let Me Wait Too Long" "Who Can See It" "Living in the Material World" Side two "The Lord Loves the One (That Loves the Lord)" "Be Here Now" "Try Some, Buy Some" "The Day the World Gets 'Round" "That Is All"

11 tracks
Side one "Give Me Love (Give Me Peace on Earth)" "Sue Me, Sue You Blues" "The Light That Has Lighted the World" "Don't Let Me Wait Too Long" "Who Can See It" "Living in the Material World" Side two "The Lord Loves the One (That Loves the Lord)" "Be Here Now" "Try Some, Buy Some" "The Day the World Gets 'Round" "That Is All"

"Be Here Now" is a song by English musician George Harrison released on his 1973 album Living in the Material World. The recording features a sparse musical arrangement and recalls Harrison's work with the Beatles during 1966–68, through its Indian-inspired mood and use of drone-like sitar. Part of Harrison's inspiration for the composition was the popular book Be Here Now by spiritual teacher Ram Dass – specifically, a story discussing the author's change in identity from a Western academic to a guru in the Hindu faith. Harrison biographers interpret "Be Here Now" as a comment from him on the public's nostalgia for the past following the Beatles' break-up.

Harrison wrote the song in Los Angeles in 1971, while working on the soundtrack to the Ravi Shankar documentary Raga, and shortly before organising the Concert for Bangladesh. The recording took place in late 1972 at his Friar Park home, with musical contributions from Klaus Voormann, Nicky Hopkins, Gary Wright and Jim Keltner. Contrary to the song's message, its release coincided with heightened speculation regarding a possible Beatles reunion, following Harrison, Ringo Starr and John Lennon recording together in Los Angeles in March 1973.

"Be Here Now" has received critical attention for its dreamlike sound and the quality of Harrison's acoustic guitar playing. Stephen Holden of Rolling Stone described the track as a "meltingly lovely meditation-prayer", while author Ian Inglis views it as a musical expression of "the spiritual, scientific, and metaphysical implications of time". Singers Robyn Hitchcock and Ian Astbury have each covered the song.

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Wikipedia