Bastard pop
| Mash-up music | |
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| Stylistic origins | |
| Cultural origins | Late 1990s, 2000s; Europe, North America |
| Typical instruments | |
| Derivative forms | |
| Subgenres | |
| Glitch pop | |
| Regional scenes | |
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A mashup (also mesh, mash up, mash-up, blend, bootleg and bastard pop/rock) is a song or composition created by blending two or more pre-recorded songs, usually by overlaying the vocal track of one song seamlessly over the instrumental track of another. To the extent that such works are "transformative" of original content, in the United States they may find protection from copyright claims under the "fair use" doctrine of copyright law.
Mashups are known by a number of different names:
In addition, more traditional terms such as "edits" or (unauthorized) "remixes" are favored by many "bootleggers" (also known as 'leggers).
The practice of assembling new songs from purloined elements of other tracks stretches back to the beginnings of recorded music. If one extends the definition beyond the realm of pop, precursors can be found in musique concrète, as well as the classical practice of (re-)arranging traditional folk material and the jazz tradition of reinterpreting standards. In addition, many elements of mashup culture have antecedents in hip hop and the DIY ethic of punk as well as overlap with the free culture movement.
In 1956, Bill Buchanan and Dickie Goodman released what they called a "break-in" song, (i.e. material from one song would "break-in" to another) called "The Flying Saucer". The track, a reinterpretation of Orson Welles' celebrated War of the Worlds mock-emergency broadcast interspliced with musical snippets comically dramatizing the portentous patter of the announcer, spawned a raft of imitations. Goodman had several other similar hits in the 1960s and 1970s.
There have been a number of novelty records and one-off hits that have included uncleared samples. The song "Your Woman" by White Town features an uncredited sample from a 1932 song "My Woman" by the Lew Stone Band taken from the soundtrack of the Dennis Potter series Pennies From Heaven. Other notable one-off bootlegs include DNA's dance remix of Suzanne Vega's "Tom's Diner" (1990) and "You Got The Love" by The Source featuring Candi Staton (1991). Vega received quite a few unsolicited mixes of her (a cappella) song, and eventually issued an entire CD of "Tom's Diner" mixes, one notable example being "Jeannie's Diner", in which a resung verse based on Vega's composition describes the premise of the situation comedy "I Dream of Jeannie". "Tom's Diner" is likely to be the first song that was "mash mixed" as we now know the process.
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