Bastard Boys | |
---|---|
Written by | Sue Smith |
Directed by | Raymond Quint |
Starring |
Jack Thompson Colin Friels Dan Wyllie Geoff Morrell Rhys Muldoon Anthony Hayes Daniel Frederiksen Justin Smith |
Country of origin | Australia |
Original language(s) | English |
No. of episodes | 2 |
Production | |
Running time | 225 mins (110 min + 115 min) |
Release | |
Original network | Australian Broadcasting Corporation |
Original release | 200713 May – 14 May 2007 |
Bastard Boys is an Australian television miniseries broadcast on the ABC in 2007. It tells the story of the 1998 Australian waterfront dispute. The script, published by Currency Press, won the 2007 Queensland Premier's Literary Award for Best Television Script.
The series tells the story of the waterfront dispute from four points of view: Greg's War from the point of view of union leader Greg Combet, Josh's War from the point of view of lawyer Josh Bornstein, Sean's War from the point of view of dock worker Sean McSwain and Chris' War from the point of view of Patrick Stevedores Managing Director Chris Corrigan.
Most of the characters portrayed are real individuals, many of whom were interviewed in the process of writing the drama. However, a number of characters were invented and events were considerably compressed for dramatic purposes. Notably, the waterside workers portrayed in the drama were composites, based on interviews with many waterside workers.
Another example of invention was the placing of lawyer Josh Bornstein at a key protest, which would have been illegal because of a court injunction
Liberal Senator Concetta Fierravanti-Wells said in 2006, while the series was still in production, that it "smacks of another example of wasteful spending by the ABC, being used to drive an anti-government, pro-left agenda, conveniently timed to appear during an election year". Journalist Michael Duffy described the series as "the most blatant union propaganda" and was critical that "80 per cent of the story is told from the union point of view".The Age's Debi Enker, however, described it as a "thoughtful, illuminating and superbly cast account of a seminal event in our recent history [which] represents exactly the kind of drama that one would want the national broadcaster to nurture."
Chris Corrigan was heavily critical of the series, stating after its screening that "The program portrays a series of predictable stereotypes and silly caricatures and gives them real names then cleverly claims to be a drama and hence does not explore any inconvenient truths such as the impact of the waterfront rorts on ordinary Australians."